210 west 77th street
Dancefestopia
2016.03.09 22:25 Dancefestopia
Dancefestopia Camping Music Festival 2022 September 4 - 10, 2023 7095 West 399th Street La Cygne, KS 66040 https://www.dancefestopia.com/
2016.10.18 23:27 chounies #PhillyRoomates4lyfe
Cause we don't spend enough time on reddit.
2008.12.04 13:46 Everton Football Club
Welcome to /Everton, the subreddit for all things Everton Football Club.
2023.06.10 20:07 Captainstever15 [USA-OR][H] Wind Waker HD, Pokemon White, Professor Layton Azran Legacy, New 3DS XL red [W] Paypal
Hi all, I have a bunch of games I'm looking to sell. Only accepting Paypal F&F at this time. Free shipping on orders of $50+, otherwise please add $5 for shipping costs. Photos available upon request!
System | Item | Condition | Price |
32X | Primal Rage | Loose | $60.00 |
32X | Sega 32X unit | Loose | $115.00 |
3DS | 3DS XL NES Edition box | Box only | $80.00 |
3DS | Ace Combat: Assault Horizon Legacy | Loose | $40.00 |
3DS | Amazing Spiderman | Loose | $12.00 |
3DS | Amazing Spiderman 2 | Loose | $12.00 |
3DS | Animal Crossing: Happy Home Designer | Loose | $13.00 |
3DS | Bravely Default | CIB | $36.00 |
3DS | Dragon Quest VII: Fragments of the Forgotten Past | Loose | $60.00 |
3DS | Etrian Odyssey V: Beyond the Myth | Loose | $48.00 |
3DS | Fantasy Life | Loose | $50.00 |
3DS | Final Fantasy Explorers | CIB | $30.00 |
3DS | Fossil Fighters: Frontier | Loose | $32.00 |
3DS | Kid Icarus: Uprising | CIB | $80.00 |
3DS | Kid Icarus: Uprising | Loose | $60.00 |
3DS | Kirby: Planet Robobot | Loose | $39.00 |
3DS | Madagascar 3 | CIB | $9.00 |
3DS | Mario Golf: World Tour | Loose | $50.00 |
3DS | New 3DS XL red (modded with Luma3DS) | Loose | $220.00 |
3DS | Nintendogs + Cats Golden Retriever and New Friends | Loose | $22.00 |
3DS | Pokemon Mystery Dungeon: Gates to Infinity | Loose | $26.00 |
3DS | Professor Layton and the Azran Legacy | Loose | $150.00 |
3DS | Senran Kagura: Deep Crimson 2 | Loose | $56.00 |
3DS | Sims 3 (Heavily damaged / punctured case) | Game + case | $14.00 |
amiibo | Ness amiibo | Loose | $25.00 |
amiibo | Splatoon amiibo 3-pack (crease along top of cardboard) | NIB | $50.00 |
Books | Horizon: Zero Dawn Collector's Edition guide | Loose | $120.00 |
Dreamcast | Dreamcast system (w/ cables, 1 controller, VMU | Complete | $110.00 |
Dreamcast | Maken X | CIB | $50.00 |
Dreamcast | Sonic Adventure | CIB | $50.00 |
DS | Bomberman | Loose | $13.00 |
DS | Elite Beat Agents | Loose | $15.00 |
DS | Final Fantasy IV | Loose | $18.00 |
DS | Final Fantasy Tactics A2: Grimoire of the Rift | Loose | $33.00 |
DS | Fossil Fighters | Loose | $27.00 |
DS | Geometry Wars Galaxies | CIB | $9.00 |
DS | Legendary Starfy | Loose | $15.00 |
DS | Lego Star Wars: The Complete Saga | CIB | $9.00 |
DS | My Hero Firefighter | CIB | $11.00 |
DS | Need for Speed: Pro Street | Loose | $9.00 |
DS | Pac-Man World 3 | Loose | $11.00 |
DS | Pirates of the Caribbean: At World's End | CIB | $7.00 |
DS | Plants vs Zombies | CIB | $13.00 |
DS | Plants vs Zombies | CIB | $15.00 |
DS | Plants vs Zombies | Loose | $11.00 |
DS | Pokemon Black | Loose | $70.00 |
DS | Pokemon Diamond case only | Case only | $20.00 |
DS | Pokemon White | CIB | $85.00 |
DS | Power Rangers Super Legends | CIB | $12.00 |
DS | Rhythm Heaven | Loose | $43.00 |
DS | Rockman ZX (JP) | Loose | $26.00 |
DS | Spongebob's Atlantis Squarepantis | CIB | $7.00 |
DS | Yoshi Touch & Go | Loose | $12.00 |
DS / 3DS | Lego bundle Battles, Indiana Jones, City Undercover, Friends | Loose | $12.00 |
GB | Pokemon Red (JP) | Loose | $15.00 |
GBA | Metroid Fusion (label fading, wear on box) | CIB | $100.00 |
GBA | Pokemon Ruby (heavy wear on box | CIB | $240.00 |
GBA | Super Mario Advance 4: Super Mario Bros 3 box only | Box only | $35.00 |
GBA | Wolfenstein 3D | Loose | $25.00 |
GCN | Animal Crossing Memory Card (Some fading) | Loose | $18.00 |
GCN | Conflict: Desert Storm | Game + case | $11.00 |
GCN | Dance Dance Revolution: Mario Mix | Game + case | $23.00 |
GCN | Finding Nemo | Game + case | $5.00 |
GCN | Harry Potter: Quidditch World Cup (Blockbuster case) | Game + case | $9.00 |
GCN | Metroid Prime 2: Echoes case w/ Nintendo Power insert | Case only | $20.00 |
GCN | Nascar: Dirt to Daytona | CIB | $14.00 |
GCN | NCAA Football 2005 | CIB | $14.00 |
GCN | Resident Evil 0 | CIB | $17.00 |
GCN | Resident Evil 4 | CIB | $30.00 |
GCN | Resident Evil Zero | CIB | $19.00 |
GCN | Resident Evil Zero | Game + manual | $14.00 |
GCN | Super Smash Bros Melee (cracked inner ring) | Loose | $45.00 |
Genesis | 6-Pak (label wear) | Loose | $10.00 |
Genesis | Madden NFL 98 | Loose | $9.00 |
Genesis | RBI Baseball 4 (Damaged art / case) | Game + case | $6.00 |
Genesis | Road Rash 3 (tear in label) | Loose | $15.00 |
Genesis | Turrican (label tears) | Loose | $15.00 |
Genesis | World of Illusion | CIB | $35.00 |
Genesis | World Series Baseball | Game + case | $6.00 |
Genesis | WWF Raw | Game + case | $22.00 |
Genesis | X-Men (faded label) | Loose | $9.00 |
N64 | Banjo Tooie (Not For Resale) | Loose | $150.00 |
N64 | Donkey Kong 64 (JP) | Loose | $12.00 |
N64 | ED64 Plus | NIB | $100.00 |
N64 | Hey You, Pikachu! (JP) | Loose | $7.00 |
N64 | Legend of Zelda: Majora's Mask manual (N64) | Manual | $30.00 |
N64 | Mario Kart 64 (Player's Choice) | CIB | $100.00 |
N64 | Mario Party 2 (JP) | Loose | $8.00 |
N64 | Mario Tennis (JP) | Loose | $9.00 |
NES | Gauntlet | Game + manual | $25.00 |
NES | T&C Surf Designs | Loose | $8.00 |
PS1 | Bass Landing | CIB | $18.00 |
PS1 | Brave Fencer Musashi | Loose | $55.00 |
PS1 | Coolboarders 3 | CIB | $6.00 |
PS1 | Crash Bandicoot Warped | Loose | $6.00 |
PS1 | Destruction Derby Raw | Loose | $11.00 |
PS1 | Final Fantasy IX | Game + case | $16.00 |
PS1 | Final Fantasy Tactics (Greatest Hits) | CIB | $50.00 |
PS1 | Incredible Hulk (No cover art / manual) | Game + case | $11.00 |
PS1 | Loaded | Loose | $10.00 |
PS1 | Mega Man X6 | Game + manual | $35.00 |
PS1 | NHL Rock the Rink | CIB | $9.00 |
PS1 | Parasite Eve (no demo disc) | CIB | $75.00 |
PS1 | Resident Evil (longbox)(Cracked case and some art damage) | Game + case | $100.00 |
PS1 | Revolution X (longbox) | CIB | $29.00 |
PS1 | Rugrats: Search for Reptar | CIB | $18.00 |
PS1 | Streak: Hoverboard Racing | CIB | $8.00 |
PS1 | Tony Hawk's Pro Skater | Game + manual | $10.00 |
PS1 | Tony Hawk's Pro Skater 2 | Game + case | $10.00 |
PS1 | Urban Chaos | Loose | $8.00 |
PS1 | WWE Smackdown 2 (No cover art / manual) | Game + case | $10.00 |
PS1 | WWF Attitude | CIB | $10.00 |
PS1 | WWF WrestleMania The Arcade Game | Loose | $13.00 |
PS2 | Another Century's Episode (JP) | CIB | $12.00 |
PS2 | Art of Fighting Anthology (Water damaged art) | CIB | $12.00 |
PS2 | Dance Dance Revolution Extreme 2 | CIB | $7.00 |
PS2 | Dragon Quest VIII | Game + case | $20.00 |
PS2 | Fight Club | CIB | $10.00 |
PS2 | Fight Night Round 2 | CIB | $10.00 |
PS2 | Fight Night Round 3 | CIB | $9.00 |
PS2 | Frogger: The Great Quest | CIB | $7.00 |
PS2 | Guitar Hero III | CIB | $13.00 |
PS2 | Guitar Hero: Aerosmith | CIB | $9.00 |
PS2 | King Arthur | CIB | $10.00 |
PS2 | King of Fighters: Maximum Impact | Loose | $10.00 |
PS2 | Medal of Honor European Assault | CIB | $8.00 |
PS2 | Midnight Club (Sharpie on disc) | Game + case | $6.00 |
PS2 | Mortal Kombat: Deception Premium Pack | Game + case | $25.00 |
PS2 | Namco Museum | CIB | $7.00 |
PS2 | NFL Street 2 | CIB | $20.00 |
PS2 | Onimusha 3: Demon Siege | Loose | $10.00 |
PS2 | Parappa the Rapper 2 | Loose | $40.00 |
PS2 | Ready 2 Rumble Boxing Round 2 | CIB | $11.00 |
PS2 | Resident Evil 4 | CIB | $15.00 |
PS2 | Resident Evil Outbreak | Game + case | $18.00 |
PS2 | Resident Evil Outbreak: File #2 | Loose | $40.00 |
PS2 | Sega Classics Collection | Game + case | $11.00 |
PS2 | Silent Hill 2 (no music CD) | CIB | $120.00 |
PS2 | Silent Hill 2 manual (Crease on top right corner) | Manual | $30.00 |
PS2 | Silent Hill 3 | CIB | $150.00 |
PS2 | SSX | CIB | $8.00 |
PS2 | Star Wars Racer: Revenge | CIB | $10.00 |
PS2 | Tekken 4 GH | CIB | $11.00 |
PS2 | Tekken Tag Tournament | Loose | $6.00 |
PS2 | The Great Escape | CIB | $10.00 |
PS2 | The Thing | Loose | $22.00 |
PS2 | Thrillville | CIB | $6.00 |
PS2 | Thrillville | CIB | $6.00 |
PS2 | Thunderstrike: Operation Phoenix | CIB | $6.00 |
PS2 | Tony Hawk's Pro Skater 4 | Game + case | $7.00 |
PS2 | Tony Hawk's Underground 2 | CIB | $17.00 |
PS2 | WWE Smackdown vs Raw 2006 | CIB | $12.00 |
PS3 | Amazing Spiderman 2 | Loose | $18.00 |
PS3 | Army of Two: The Devil's Cartel Overkill Edition | CIB | $11.00 |
PS3 | Batman Arkham Origins | CIB | $10.00 |
PS3 | Binary Domain | CIB | $20.00 |
PS3 | Borderlands 2 | CIB | $10.00 |
PS3 | Borderlands: The Pre-Sequel | CIB | $6.00 |
PS3 | Burnout Paradise | CIB | $8.00 |
PS3 | Call of Duty Ghosts | CIB | $5.00 |
PS3 | Call of Duty: Modern Warfare 2 | Game + case | $5.00 |
PS3 | Call of Duty: Modern Warfare 3 | CIB | $7.00 |
PS3 | Call of Juarez: Bound in Blood | CIB | $7.00 |
PS3 | Dark Sector | CIB | $10.00 |
PS3 | Darkness | CIB | $16.00 |
PS3 | Dirt 3 | CIB | $11.00 |
PS3 | Disney Sing It Family Hits | CIB | $9.00 |
PS3 | Dragon Age: Origins Ultimate Edition | Game + case | $14.00 |
PS3 | Earth Defense Force 2025 | Loose | $14.00 |
PS3 | Fallout 3 GOTY | CIB | $10.00 |
PS3 | Final Fantasy X / X-2 Collector's Edition (coffee stains on book) | CIB | $20.00 |
PS3 | Grand Slam Tennis 2 | CIB | $10.00 |
PS3 | Hitman Absolution | CIB | $6.00 |
PS3 | Kane & Lynch 2: Dog Days | CIB | $10.00 |
PS3 | Kingdom Hearts HD 1.5 Remix | CIB | $10.00 |
PS3 | Lair | CIB | $7.00 |
PS3 | Madden NFL 17 | CIB | $20.00 |
PS3 | Metal Gear Solid V The Phantom Pain Day One Edition | CIB | $10.00 |
PS3 | Metal Gear Solid V: Ground Zeroes | CIB | $11.00 |
PS3 | Minecraft | Game + case | $11.00 |
PS3 | MLB 13: The Show | CIB | $5.00 |
PS3 | Mortal Kombat | Game + case | $9.00 |
PS3 | Naruto Shippuden Ultimate Ninja: Storm 2 | CIB | $7.00 |
PS3 | NBA 2K16 | CIB | $9.00 |
PS3 | NCAA Football 12 | CIB | $8.00 |
PS3 | NCAA Football 12 | CIB | $8.00 |
PS3 | NCAA Football 13 (Water damaged art and manual) | CIB | $22.00 |
PS3 | NCAA Football 14 (wavy art, minor disc art damage) | CIB | $125.00 |
PS3 | Persona 4 Arena (Wavy cover art) | CIB | $16.00 |
PS3 | Persona 5 | Game + case | $14.00 |
PS3 | PS Move navigation controller | NIB | $35.00 |
PS3 | Remember Me | CIB | $12.00 |
PS3 | Resident Evil 5 | Game + case | $5.00 |
PS3 | Rocksmith 2014 | CIB | $10.00 |
PS3 | Sega Rally Revo | CIB | $14.00 |
PS3 | Sengoku Basara: Samurai Heroes | CIB | $20.00 |
PS3 | Skate 2 | CIB | $12.00 |
PS3 | Skate 3 | CIB | $10.00 |
PS3 | Skyrim: Legendary Edition | CIB | $9.00 |
PS3 | Soulcalibur IV | CIB | $10.00 |
PS3 | Street Fighter IV (water damaged art) | CIB | $9.00 |
PS3 | Tekken 6 | CIB | $11.00 |
PS3 | Tekken Hybrid | CIB | $32.00 |
PS3 | Tekken Tag Tournament 2 | CIB | $17.00 |
PS3 | Top Spin 4 | CIB | $14.00 |
PS3 | Two Worlds II (Water damaged art) | CIB | $8.00 |
PS3 | UFC 2009 Undisputed | Loose | $5.00 |
PS3 | UFC 2010 Undisputed | CIB | $8.00 |
PS3 | Ultimate Marvel vs. Capcom 3 | CIB | $19.00 |
PS3 | Ultra Street Fighter IV | Game + case | $25.00 |
PS3 | Ultra Street Fighter IV | CIB | $27.00 |
PS3 | Uncharted 3 | CIB | $6.00 |
PS3 | Vampire Resurrection (JP) | CIB | $58.00 |
PS3 | Warhammer 40,000: Space Marine | CIB | $19.00 |
PS3 | Watchmen: The End is Night The Complete Experience | CIB | $36.00 |
PS3 | Wolfenstein | Game + case | $12.00 |
PS3 | WWE 2K16 | CIB | $13.00 |
PS4 | Abzu | Game + case | $13.00 |
PS4 | Borderlands: The Handsome Collection | Game + case | $6.00 |
PS4 | Dragon Ball Xenoverse | CIB | $10.00 |
PS4 | God of War | CIB | $13.00 |
PS4 | Horizon Forbidden West Launch Edition | CIB | $28.00 |
PS4 | Lego Dimensions | CIB | $29.00 |
PS4 | Minecraft | Game + case | $16.00 |
PS4 | Paper Beast Collector's Edition | NIB | $62.00 |
PS4 | Plants vs Zombies: Battle for Neighborville | CIB | $9.00 |
PS4 | Plants vs Zombies: Battle for Neighborville | CIB | $9.00 |
PS4 | Ratchet and Clank | Game + case | $9.00 |
PS4 | Risk of Rain 2 | CIB | $12.00 |
PS4 | Rocket League: Collector's Edition | CIB | $13.00 |
PS4 | West of Dead: Path of the Crow | NIB | $28.00 |
PS5 | Life is Strange: True Colors | CIB | $15.00 |
PSP | ATV Offroad Fury Pro | CIB | $7.00 |
PSP | Bad Boys | Game + case | $8.00 |
PSP | Burnout Legends | Loose | $7.00 |
PSP | God of War: Ghost of Sparta | Loose | $41.00 |
PSP | Midnight Club 3 Dub Edition | Loose | $20.00 |
PSP | Midnight Club: LA Remix | Loose | $17.00 |
PSP | Need for Speed Rivals | Loose | $11.00 |
PSP | Need for Speed: Most Wanted 5-1-0 (clear piece set in slightly) | Loose | $12.00 |
PSP | Need for Speed: Pro Street (water damaged art) | Game + case | $8.00 |
PSP | Pimp My Ride | Loose | $8.00 |
PSP | Sonic Rivals | Loose | $12.00 |
PSP | Star Wars Battlefront II | Loose | $10.00 |
PSP | Street Fighter Alpha 3 Max (Clear shell) | Loose | $15.00 |
SNES | Brain Lord | Loose | $50.00 |
SNES | Power Rangers Zeo: Battle Racers | Loose | $14.00 |
SNES | Power Rangers Zeo: Battle Racers | Loose | $14.00 |
SNES | Robocop vs The Terminator | Loose | $23.00 |
SNES | TMNT IV: Turtles in Time | Loose | $45.00 |
SNES | Top Gear | Loose | $11.00 |
Switch | Fitness Boxing 2 | NIB | $30.00 |
Switch | Pokemon Shining Pearl | CIB | $30.00 |
Switch | Super Mario 3D All-Stars | CIB | $80.00 |
Switch | Yo-Kai Watch 4++ (JP) | CIB | $50.00 |
Vita | Call of Duty Black Ops Declassified | Loose | $17.00 |
Vita | Call of Duty Black Ops Declassified | Loose | $17.00 |
Vita | Lego Batman 2 | Loose | $9.00 |
Vita | Litte Big Planet | Loose | $20.00 |
Vita | Need for Speed Most Wanted | Loose | $16.00 |
Vita | Playstation All-Stars Battle Royale | Loose | $17.00 |
Vita | Soul Sacrifice | Loose | $15.00 |
Wii | 007 Quantum of Solace | CIB | $5.00 |
Wii | Alice in Wonderland | CIB | $8.00 |
Wii | Dance Dance Revolution Hottest Party | CIB | $8.00 |
Wii | Disney Princess: My Fairytale Adventure | CIB | $14.00 |
Wii | Disney Sing It Family Hits | CIB | $12.00 |
Wii | Dokapon Kingdom | Loose | $60.00 |
Wii | Family Game Night 4 | CIB | $12.00 |
Wii | Freddi Fish: Kelp Seed Mystery | CIB | $11.00 |
Wii | Gold classic controller | Loose | $40.00 |
Wii | Guitar Hero 5 | Game + case | $16.00 |
Wii | Guitar Hero Aerosmith | CIB | $9.00 |
Wii | Hot Wheels: Track Attack | CIB | $7.00 |
Wii | Just Dance Kids | CIB | $6.00 |
Wii | Just Dance Summer Party | CIB | $8.00 |
Wii | Karaoke Revolution | CIB | $8.00 |
Wii | My Ballet Studio | Game + case | $8.00 |
Wii | My Sims Racing | CIB | $8.00 |
Wii | Naruto: Clash of Ninja Revolution | CIB | $8.00 |
Wii | NBA Jam | CIB | $12.00 |
Wii | Nights Journey of Dreams (back art punctured) | Game + case | $8.00 |
Wii | No More Heroes 2 | CIB | $23.00 |
Wii | Resident Evil : The Umbrella Chronicles | CIB | $14.00 |
Wii | Tony Hawk Ride | Game + case | $10.00 |
Wii | Tony Hawk: Shred | CIB | $8.00 |
Wii | Wii Play Motion | Game + case | $19.00 |
Wii | You Don't Know Jack | CIB | $9.00 |
Wii | Zelda Wii Remote (no battery cover) | Loose | $40.00 |
Wii U | Legend of Zelda: Wind Waker HD (Nintendo Selects) | CIB | $60.00 |
Wii U | Tekken Tag Tournament 2 | Loose | $38.00 |
Xbox | Battlestar Galactica | CIB | $10.00 |
Xbox | Buffy The Vampire Slayer | Game + case | $17.00 |
Xbox | Burnout 2: Point of Impact | CIB | $11.00 |
Xbox | Crime Life | Game + case | $11.00 |
Xbox | Destroy All Humans! | CIB | $10.00 |
Xbox | Enclave | CIB | $9.00 |
Xbox | Gun | CIB | $8.00 |
Xbox | Half-Life 2 | Game + case | $10.00 |
Xbox | House of the Dead III | Loose | $13.00 |
Xbox | Indiana Jones and the Emperor's Tomb | CIB | $15.00 |
Xbox | Midway Arcade Treasures | CIB | $10.00 |
Xbox | Minority Report | CIB | $7.00 |
Xbox | Mortal Kombat: Deception Kollector's Edition: Baraka Version | CIB | $48.00 |
Xbox | Mortal Kombat: Shaolin Monks | CIB | $28.00 |
Xbox | Namco Museum | CIB | $7.00 |
Xbox | Prince of Persia: The Two Thrones | CIB | $6.00 |
Xbox | Sphinx and the Cursed Mummy | CIB | $11.00 |
Xbox | Spiderman | CIB | $10.00 |
Xbox | Spiderman 2 | CIB | $12.00 |
Xbox | Star Trek: Shattered Universe | CIB | $9.00 |
Xbox | Star Wars Episode III: Revenge of the Sith | CIB | $9.00 |
Xbox | Star Wars Jedi Starfighter | CIB | $10.00 |
Xbox | Star Wars Jedi Starfighter | CIB | $10.00 |
Xbox | Star Wars Starfighter Special Edition | CIB | $9.00 |
Xbox | Star Wars: The Clone Wars | CIB | $7.00 |
Xbox | Terminator 3: Redemption | CIB | $19.00 |
Xbox | Terminator: Dawn of Fate | CIB | $8.00 |
Xbox | Time Splitters 2 | CIB | $15.00 |
Xbox | Time Splitters: Future Perfect | Loose | $20.00 |
Xbox | Tony Hawk's Pro Skater 2x | Game + case | $10.00 |
Xbox | Tony Hawk's Project 8 | CIB | $12.00 |
Xbox | Tron 2.0 Killer App | CIB | $13.00 |
Xbox | Turok Evolution | CIB | $9.00 |
Xbox | Ultimate Spiderman | CIB | $27.00 |
Xbox | Unreal Championship | Loose | $3.00 |
Xbox | Urbz: Sims in the City Special Edition | CIB | $9.00 |
Xbox | WWF Raw | Game + case | $8.00 |
Xbox | X-Men Legends | CIB | $8.00 |
Xbox 360 | Alan Wake | CIB | $8.00 |
Xbox 360 | Avatar: The Game | CIB | $42.00 |
Xbox 360 | Batman: Arkham City GOTY | CIB | $8.00 |
Xbox 360 | Blue Dragon | Loose | $13.00 |
Xbox 360 | Borderlands 2 Add-On Content Pack | CIB | $8.00 |
Xbox 360 | CSI: Hard Evidence | CIB | $9.00 |
Xbox 360 | Epic Mickey 2: The Power of Two | CIB | $7.00 |
Xbox 360 | Fable III: Limited Collector's Edition | CIB | $12.00 |
Xbox 360 | Final Fantasy XIII | CIB | $14.00 |
Xbox 360 | Gears of War: Limited Collector's Edition | CIB | $28.00 |
Xbox 360 | Gears of War: Limited Collector's Edition (no plastic sleeve or art book) | CIB | $24.00 |
Xbox 360 | Halo 3 Collector's Edition (one disc holder fell off) | CIB | $12.00 |
Xbox 360 | Infinite Undiscovery | Game + case | $10.00 |
Xbox 360 | Juiced 2: Hot Import Nights | Game + case | $10.00 |
Xbox 360 | Kinect Sports Ultimate Collection | CIB | $13.00 |
Xbox 360 | Kinect Sports: Ultimate Collection | CIB | $14.00 |
Xbox 360 | Kingdom Under Fire: Circle of Doom | CIB | $9.00 |
Xbox 360 | Lego The Hobbit | CIB | $8.00 |
Xbox 360 | Midnight Club: Los Angeles (Blockbuster case) | CIB | $9.00 |
Xbox 360 | Monster Jam: Path of Destruction | Game + case | $22.00 |
Xbox 360 | NCAA Football 08 | CIB | $6.00 |
Xbox 360 | Ninety-Nine Nights (sharpie on disc) | CIB | $9.00 |
Xbox 360 | Pac-Man and the Ghostly Adventures | Game + case | $10.00 |
Xbox 360 | Rocksmith | CIB | $10.00 |
Xbox 360 | Skylanders: Giants | CIB | $8.00 |
Xbox 360 | Snoopy's Grand Adventure | Game + case | $8.00 |
Xbox 360 | Spiderman 3 | Loose | $14.00 |
Xbox 360 | Star Wars: The Force Unleashed | CIB | $6.00 |
Xbox 360 | Star Wars: The Force Unleashed (PAL) | CIB | $5.00 |
Xbox 360 | Teenage Mutant Ninja Turtles: Mutants in Manhattan | Loose | $19.00 |
Xbox 360 | Walking Dead GOTY | CIB | $8.00 |
Xbox 360 | Warhammer 40,000: Space Marine | Loose | $10.00 |
Xbox 360 | Witcher 2: Assassins of Kings Enhanced Edition | Game + case | $15.00 |
Xbox One | Grand Theft Auto V | CIB | $10.00 |
Xbox One | Guitar Hero Live | Game + case | $35.00 |
Xbox One | Guitar Hero Live (punctured back art) | Game + case | $30.00 |
Xbox One | Just Dance 2020 | Game + case | $6.00 |
Xbox One | Kinect Sports Rivals | Game + case | $12.00 |
Xbox One | Marvel Avengers | CIB | $8.00 |
Xbox One | Red Dead Redemption Game of the Year Edition | CIB | $14.00 |
Xbox One | Resident Evil 2 Deluxe Edition | CIB | $26.00 |
Xbox One | Star Wars Jedi Fallen Order Deluxe Edition | CIB | $15.00 |
submitted by
Captainstever15 to
GameSale [link] [comments]
2023.06.10 19:41 majeed_isb My Trakt Lists.. (Updated) Enjoy!
My Pesonal Trakt Lists https://trakt.tv/users/majeed_pk/lists 1, Awards Season 2022-2023,
https://trakt.tv/lists/23517805 2, YA Books Movie Adaptations,
https://trakt.tv/lists/21882009 3, Documentaries,
https://trakt.tv/lists/21583416 4, Foreign Films,
https://trakt.tv/lists/21583955 6, Books-to-Films,
https://trakt.tv/lists/21603107 7, History Movies,
https://trakt.tv/lists/21603888 8, British Detective TV Series,
https://trakt.tv/lists/21634756 9, Thriller movies,
https://trakt.tv/lists/21638849 10, Best Rom-Coms,
https://trakt.tv/lists/21640025 11, Guide for the film fanatic,
https://trakt.tv/lists/21653551 12, Psychological Thrillers,
https://trakt.tv/lists/21662813 13, Academy Award for Best Sound,
https://trakt.tv/lists/21663171 14, BFI Film Noir,
https://trakt.tv/lists/21676442 15, Top Rated Drama Movies,
https://trakt.tv/lists/21676562 16, Western Top 100 Movies - Rotten Tomatoes,
https://trakt.tv/lists/21710514 17, Courtroom Dramas,
https://trakt.tv/lists/21715794 18, Arthouse Films - List 1,
https://trakt.tv/lists/21732518 19, Directory of World Cinema: Italy,
https://trakt.tv/lists/21732605 20, AV Club: The best films of 2020,
https://trakt.tv/lists/21732647 21, Studio Ghibli / Miyazaki - 45 Must Watch Titles,
https://trakt.tv/lists/21738371 22, Directory of World Cinema: Finland - 90 Titles,
https://trakt.tv/lists/21738401 23, BBC Culture’s 100 Greatest Foreign-language Films,
https://trakt.tv/lists/21738433 24, BFI Top 100,
https://trakt.tv/lists/21738436 25, Martial Arts,
https://trakt.tv/lists/21750038 26, War Movies - 240 Titles,
https://trakt.tv/lists/21752655 27, Iranian Films: Film Magazine's Best 120 Iranian Films,
https://trakt.tv/lists/21752739 28, Visually Stunning,
https://trakt.tv/lists/21752751 29, Best Philosophical Films,
https://trakt.tv/lists/21759920 30, Wuxia Movies,
https://trakt.tv/lists/21759945 31, Music heavy movies,
https://trakt.tv/lists/21759959 32, Spoof /Parody Films,
https://trakt.tv/lists/21760015 33, BFI TV 100 - Year 2000 and earlier,
https://trakt.tv/lists/21760044 34, Based on Real Life - Dramas Movies,
https://trakt.tv/lists/21764919 35, Kids - Award Winning Indian Films,
https://trakt.tv/lists/21777564 36, Old School Kung Fu,
https://trakt.tv/lists/21778783 37, Existentialist Films,
https://trakt.tv/lists/21793252 38, BAFTA - Best Film Award Winners,
https://trakt.tv/lists/21793519 39, Academy Award Winner: Foreign Language films,
https://trakt.tv/lists/21840222 40, Dark & Deeply Disturbing,
https://trakt.tv/lists/21840300 42, Martial Arts - The Top 250 Greatest Movies of All-Time,
https://trakt.tv/lists/21840363 44, History movies with religion focus,
https://trakt.tv/lists/21846024 45, Cheating - Cuckold,
https://trakt.tv/lists/21865661 46, The Best Prison Escape Movies,
https://trakt.tv/lists/21867825 47, National Film Archive of India 125 Great Indian Films,
https://trakt.tv/lists/21867893 48, Comedies - BBC's The 100 Greatest of All Time,
https://trakt.tv/lists/21873191 49, Animated - BFI's 100 Animated Feature Films,
https://trakt.tv/lists/21873206 50, BFI's Top 100 Documentary Films,
https://trakt.tv/lists/21873222 51, BFI's Top 360 Classic Feature Films Project,
https://trakt.tv/lists/21873231 52, Asian Cinema 100 - Busan Int'l Film Festival List,
https://trakt.tv/lists/21874143 53, 100 Spiritually Most Significant Films,
https://trakt.tv/lists/21874225 54, Butler's Fantasy Cinema: Impossible Worlds on Screen,
https://trakt.tv/lists/21874287 55, Best French Films - César Award Winners,
https://trakt.tv/lists/21874299 56, 100 Greatest Arab Films - DIFF,
https://trakt.tv/lists/21874310 57, 100 Best Russian Films: Empire Russia's Readers' Choice,
https://trakt.tv/lists/21874321 58, 100 Best Films of World Cinema - Empire Magazine,
https://trakt.tv/lists/21874345 59, Eureka!'s The Masters of Cinema Series,
https://trakt.tv/lists/21874353 60, Indian Feature Film - Golden Lotus Best Feature Film Award,
https://trakt.tv/lists/21874367 61, Harvard University's Suggested Narrative Film Viewing List (350): (2012),
https://trakt.tv/lists/21874384 62, Harvard University's Suggested Film Viewing List Non-Fiction Films - (120): (2012),
https://trakt.tv/lists/21874399 63, Turkish Cinema - Hürriyet's The 100 Best Movies,
https://trakt.tv/lists/21874411 64, Russian Guild of Film Critics's Best 100 Russian Films,
https://trakt.tv/lists/21874449 65, The New York Times' Book of 1001 Movies (2019),
https://trakt.tv/lists/21874472 66, Drama Movies _ The Essential List,
https://trakt.tv/lists/21880940 67, Cheating and Affairs,
https://trakt.tv/lists/21867871 68, Best and Worst Films Featuring Adultery,
https://trakt.tv/lists/21867881 69, F-F Relationship - 857 Titles,
https://trakt.tv/lists/21710433 70, World War II Films and TV,
https://trakt.tv/lists/21881822 71, WWII TV Series,
https://trakt.tv/lists/21881839 72, World War II in chronological order,
https://trakt.tv/lists/21881936 73, World War II British Films: 226 Titles,
https://trakt.tv/lists/21882001 74, Movies filmed in Seattle,
https://trakt.tv/lists/21888442 75, Biographies,
https://trakt.tv/lists/21899277 76, Biographical - Scientists and Inventors,
https://trakt.tv/lists/21899297 77, Hollywood Golden Age Classics,
https://trakt.tv/lists/21899488 78, Golden Age of Indian Cinema - 35 Films,
https://trakt.tv/lists/21899513 79, Twenty First Century Noir,
https://trakt.tv/lists/21899542 80, Anti-Fascist Movies,
https://trakt.tv/lists/21899588 81, Western - Spaghetti Westerns 500+ Films,
https://trakt.tv/lists/21899611 82, Top Samurai Movies - 65 Titles,
https://trakt.tv/lists/21899655 83, Hopeless Romantic Movies,
https://trakt.tv/lists/21899725 84, Hopeless Backlog Movies List,
https://trakt.tv/lists/21899740 85, Top List of Wall Street and Finance Movies,
https://trakt.tv/lists/21935124 86, The Lord of the Rings Movies,
https://trakt.tv/lists/22000291 87, Controversial Religious (& around religious & anti,
https://trakt.tv/lists/22001414 88, Quentin Tarantino,
https://trakt.tv/lists/22038626 89, The 100 Religious Films of All time,
https://trakt.tv/lists/22001421 90, Love Triangle - Sexual Tension - 3rd Party,
https://trakt.tv/lists/22038785 91, Polyamorous Films/ TV Series,
https://trakt.tv/lists/22038798 92, Mental Health Movies,
https://trakt.tv/lists/22096229 93, Top 200 Psychological Thrillers,
https://trakt.tv/lists/22096238 94, Political Thrillers, Conspiracy, Espionage, Terror,
https://trakt.tv/lists/22096239 95, Top 100 - TV series,
https://trakt.tv/lists/22097576 96, Punjabi - Top 100 Movies,
https://trakt.tv/lists/22097577 97, Top 100 Gangster Movies,
https://trakt.tv/lists/22097599 98, Top 100 TV Comedy Shows,
https://trakt.tv/lists/22097600 99, Top 100 Prostitution Movies,
https://trakt.tv/lists/22097627 100, British TV Mini-Series,
https://trakt.tv/lists/22098001 101, Painters Artists Writers,
https://trakt.tv/lists/22101297 102, Indian submissions for the Academy Award for Best,
https://trakt.tv/lists/22108939 103, Vintage British TV.,
https://trakt.tv/lists/22098084 104, Greatest Art Films in Indian Cinema,
https://trakt.tv/lists/22108940 105, Best Indian Cinematography,
https://trakt.tv/lists/22108945 106, Best Indian Feature Film - National Award,
https://trakt.tv/lists/22108946 107, The Best Costume Dramas,
https://trakt.tv/lists/22120963 108, Most expensive movies by country,
https://trakt.tv/lists/22139343 109, Yearly Most Expensive Films 1933-2019,
https://trakt.tv/lists/22139344 110, 100 Most Expensive Movies,
https://trakt.tv/lists/22139345 111, Low Budget Movies That Paid Off Big,
https://trakt.tv/lists/22139346 112, Most Expensive Indian Films,
https://trakt.tv/lists/22139347 113, Best Worldwide (18+ Adult Sex Erotic) Movies (2021),
https://trakt.tv/lists/22146946 114, Films about Non-Traditional Religions, Sects,
https://trakt.tv/lists/22152544 115, Directory of World Cinema_ Latin America,
https://trakt.tv/lists/22190019 116, Directory of World Cinema_ Germany,
https://trakt.tv/lists/22190020 117, Directory of World Cinema_ Japan,
https://trakt.tv/lists/22190021 118, Directory of World Cinema_ India,
https://trakt.tv/lists/22190143 119, Directory of World Cinema_ Scotland,
https://trakt.tv/lists/22190144 120, Directory of World Cinema_ Brazil,
https://trakt.tv/lists/22190245 121, The Best of Non-English Language Movies (World Cinema),
https://trakt.tv/lists/22190309 122, Sensual and Erotic,
https://trakt.tv/lists/22197015 123, keepers,
https://trakt.tv/lists/22268098 124, Best Asian Erotic Movies (64),
https://trakt.tv/lists/22197018 125, Documentários Históricos,
https://trakt.tv/lists/22268099 126, History Epic Adventure Movies,
https://trakt.tv/lists/22268102 127, Oscar Nominated Movies for Best Adapted Screenplay,
https://trakt.tv/lists/22268106 128, Emmy TV 2021,
https://trakt.tv/lists/22268107 129, Action Movies (Top Rated From 1980 to Today),
https://trakt.tv/lists/22351781 130, Directory of World Cinema_ Australia & New Zealand,
https://trakt.tv/lists/22352451 131, Directory of World Cinema_ China,
https://trakt.tv/lists/22352452 132, Directory of World Cinema_ Finland,
https://trakt.tv/lists/22352458 134, Dialogue Driven Dramas (Movies),
https://trakt.tv/lists/22400697 135, Soundtrack focus,
https://trakt.tv/lists/22400716 136, One Location Movies - 45,
https://trakt.tv/lists/22420592 137, Nice, little independent (23) movies with nice little storyline,
https://trakt.tv/lists/22420593 138, Movies About Business - 70,
https://trakt.tv/lists/22420607 139, Berlinale 2021,
https://trakt.tv/lists/22431191 140, Smart Movies for Smart People,
https://trakt.tv/lists/22440316 141, Top 25 Satyajit Ray Best Movies,
https://trakt.tv/lists/22507864 142, Period Dramas - TV,
https://trakt.tv/lists/22526560 143, AFI Movie Club 2020+ - 529 titles,
https://trakt.tv/lists/22534852 144, 35 Best Musical Movies of All Time,
https://trakt.tv/lists/22534860 145, Pakistani Films - 102 Titles,
https://trakt.tv/lists/22534971 146, Pakistan - Movie about or of - 40 Titles,
https://trakt.tv/lists/22535037 147, Pakistani Tv Serials - 39 Titles,
https://trakt.tv/lists/22535048 148, Best MAFIA & Gangsters TV SHOWS,
https://trakt.tv/lists/22578892 149, Kenneth Branagh,
https://trakt.tv/lists/22579305 150, The Complete List of Mafia & Gangsters Movies,
https://trakt.tv/lists/22578893 151, Top Ancient Greece Movies and TV,
https://trakt.tv/lists/22591630 152, Chess Movies and Tv Series,
https://trakt.tv/lists/22613435 153, Best Russian Movies. Thrillers and Science Fiction,
https://trakt.tv/lists/22613447 154, South American or Hispanic Grindhouse Erotica,
https://trakt.tv/lists/22613820 155, Best Kubrickian Movies,
https://trakt.tv/lists/22613821 156, Biopics of Writers, Poets and Playwright,
https://trakt.tv/lists/22779783 157, Hollywood Movies with Telekinesis, Psychokinesis,,
https://trakt.tv/lists/22613825 158, Stand-up Comedy,
https://trakt.tv/lists/22780194 160, Martin Scorsese's World Cinema Project,
https://trakt.tv/lists/22799342 161, British Film Institute BFI - 360 Classics,
https://trakt.tv/lists/22799371 162, Best Getaway Driver Movies. Movies like Drive,
https://trakt.tv/lists/22613826 163, War Movies,
https://trakt.tv/lists/22799482 164, Best Weird Movies List,
https://trakt.tv/lists/22799660 165, 100 Best Brazilian films according to Abraccine,
https://trakt.tv/lists/22799695 166, Academy Award winners and nominees for Best International Film,
https://trakt.tv/lists/22799761 167, Best Picture Oscar Nominees by Year - Academy Award,
https://trakt.tv/lists/22799903 168, AFI 100 Years... All Films (complete),
https://trakt.tv/lists/22799919 169, AFI's 100 Years...100 Passions List,
https://trakt.tv/lists/22800004 170, AMP's 30 Impressively Colored Movies from Asia,
https://trakt.tv/lists/22802447 171, Empire's 500 Greatest Movies of All Time,
https://trakt.tv/lists/22802614 172, Ariel Awards - Nominees for Best Mexican Picture,
https://trakt.tv/lists/22802787 173, Best Psychosexual thrillers. Sexy Neo-Noir,
https://trakt.tv/lists/22613834 174, Arts and Faith's top 100 Spiritually Significant,
https://trakt.tv/lists/22802796 175, The 20 best Romanian movies,
https://trakt.tv/lists/22802892 176, Movies like 2000 movie Malena.,
https://trakt.tv/lists/22613836 177, Best Belgian Films,
https://trakt.tv/lists/22802971 178, Best Movies Inspired by Quentin Tarantino,
https://trakt.tv/lists/22613839 179, Berlin International Film Festival Golden Bear win,
https://trakt.tv/lists/22803005 180, BFI 100 Best Thrillers,
https://trakt.tv/lists/22803128 181, Best Movies with Illuminati Elements,
https://trakt.tv/lists/22613841 182, 100 Soundtracks (BFI Screen Guide),
https://trakt.tv/lists/22803180 183, Bodil award for best danish film,
https://trakt.tv/lists/22803282 184, Cahiers du Cinema_ Top Ten Lists (1951-2020),
https://trakt.tv/lists/22803307 185, Remake And The Original Movies,
https://trakt.tv/lists/22946656 186, Cannes Film Festival - Grand Prix Winners,
https://trakt.tv/lists/22803327 187, Top Watched Movies of The Week / >60,
https://trakt.tv/lists/22946911 188, Top 100 Spy Fi Movies - Best Spy Movies,
https://trakt.tv/lists/22613845 189, CineChile's 50 Best Chilean movies of all time,
https://trakt.tv/lists/22803382 190, Sibel Bayram's List,
https://trakt.tv/lists/22948465 191, Unreliable Narrator in Movies,
https://trakt.tv/lists/22613846 192, Best Shoot em Up, Gun Fight Movies,
https://trakt.tv/lists/22613925 193, Premios Cóndor de Plata 2021 - Argentina,
https://trakt.tv/lists/22803395 194, Hitmen, Assassins, Killers for hire,
https://trakt.tv/lists/22613985 195, David Thomson _Have You Seen..._,
https://trakt.tv/lists/22803430 196, 65 Best Romantic Comedies - Vogue 2019,
https://trakt.tv/lists/22883114 197, Period Drama Movies + TV 1000+,
https://trakt.tv/lists/22957174 198, Oscar-winning American Musicals,
https://trakt.tv/lists/22883179 199, The 21st Century's 100 greatest films,
https://trakt.tv/lists/22886149 200, Hist-Doc miniseries watchlist,
https://trakt.tv/lists/22957175 201, Westerns set in Modern Times or Fantasy Setup,
https://trakt.tv/lists/22614000 202, 22 Films to Watch in 2022,
https://trakt.tv/lists/22886182 203, History and Period Drama - TV,
https://trakt.tv/lists/22957178 204, Group of Strangers in a one room setting movie,
https://trakt.tv/lists/22614001 205, Top 50 Parody Movies,
https://trakt.tv/lists/22946416 206, Series to Watch,
https://trakt.tv/lists/22957179 207, MINISERIES G to R,
https://trakt.tv/lists/22957180 208, Period Drama Movies,
https://trakt.tv/lists/22957181 209, Favorite Period Dramas,
https://trakt.tv/lists/22957182 210, The Best AV Club Movies 2009-2021,
https://trakt.tv/lists/22946648 211, 10 Haunting Documentaries That Are Stranger Than Fiction,
https://trakt.tv/lists/22957652 212, British TV MDBList,
https://trakt.tv/lists/22999807 213, Casey Affleck Movies,
https://trakt.tv/lists/23010185 214, Ben Affleck Movies List,
https://trakt.tv/lists/23011143 215, 80s Tv Shows,
https://trakt.tv/lists/23011501 216, 70s Tv Shows,
https://trakt.tv/lists/23011502 217, 60s TV Shows,
https://trakt.tv/lists/23011534 218, Oscar Nominated Movies for Best Cinematography,
https://trakt.tv/lists/23011630 219, Bisexual, Triangle, Orgy, Group Sex Scene Movies,
https://trakt.tv/lists/23053550 220, Reality Shows,
https://trakt.tv/lists/23053551 221, War and Music,
https://trakt.tv/lists/23065983 222, War - Vietnam War Movies,
https://trakt.tv/lists/23067520 223, War Drama WWII,
https://trakt.tv/lists/23067521 224, War on Terror Movies,
https://trakt.tv/lists/23067522 225, American Revolution (1776-83),
https://trakt.tv/lists/23067523 226, Top 18 Non-Violent, Non-Atrocity Wold War II Films,
https://trakt.tv/lists/23067524 227, War Movies & Documentaries on German Luftwaffe,
https://trakt.tv/lists/23067559 228, War - 1857 Indian Rebellion,
https://trakt.tv/lists/23067560 229, War - World War I Drama Movies,
https://trakt.tv/lists/23067561 230, War - US Civil War Movies,
https://trakt.tv/lists/23067564 231, War - Soviet Afghan War,
https://trakt.tv/lists/23067565 232, Greatest Retro TV Shows,
https://trakt.tv/lists/23151524 233, Classic TV Shows,
https://trakt.tv/lists/23151537 234, Annecy 2021- Competition,
https://trakt.tv/lists/23154386 235, New Russian Cinema,
https://trakt.tv/lists/23197248 236, My Favorite Russian Films,
https://trakt.tv/lists/23197476 237, Classic British Gothic Horror,
https://trakt.tv/lists/23197644 238, Classic British Comedy Films,
https://trakt.tv/lists/23197645 239, Classic British Films.,
https://trakt.tv/lists/23197648 240, Keira Knightley Filmography,
https://trakt.tv/lists/23198369 241, Top 100 Korean Movies,
https://trakt.tv/lists/23216634 242, Neo-Noir - Voiceover Narration.,
https://trakt.tv/lists/23233113 243, Non-Narrative Documentaries,
https://trakt.tv/lists/23249003 244, Voiceover Narration Movies,
https://trakt.tv/lists/23233121 245, Serial Killer movies,
https://trakt.tv/lists/23280878 246, 2022,
https://trakt.tv/lists/23285154 247, European Cinematography Awards (ECA),
https://trakt.tv/lists/23354519 248, George Clooney,
https://trakt.tv/lists/23354520 249, Dark Calm but Thrilling,
https://trakt.tv/lists/23354521 250, Movies that will bring comfort,
https://trakt.tv/lists/23354522 251, LMAO Films,
https://trakt.tv/lists/23354523 252, World War II Background,
https://trakt.tv/lists/23367623 253, Powerful Movies,
https://trakt.tv/lists/23367790 254, A24 Movies Ranked,
https://trakt.tv/lists/23368469 255, Bon appetit!,
https://trakt.tv/lists/23370319 256, The 25 Best Neo-Westerns of the 21st Century (So Far),
https://trakt.tv/lists/23386030 257, Best Romantic Movies Of All Time,
https://trakt.tv/lists/23429614 258, The best Charles Dickens adaptations,
https://trakt.tv/lists/23436307 259, 50 films, Adaptations from Classic Literature,
https://trakt.tv/lists/23436308 260, 50 films, Adaptations from Classic Stage Plays,
https://trakt.tv/lists/23436309 261, A Christmas Carol Adaptations,
https://trakt.tv/lists/23436314 262, The best Edgar Allan Poe adaptations,
https://trakt.tv/lists/23436315 263, Judi Dench Performances Ranked,
https://trakt.tv/lists/23438735 264, Benedict Cumberbatch Movies Ranked,
https://trakt.tv/lists/23438743 265, Tom Hanks Performances Ranked,
https://trakt.tv/lists/23438746 266, Arthouse Trilogies,
https://trakt.tv/lists/23438768 267, 100 Classic Martial Arts Films,
https://trakt.tv/lists/23438773 268, Best Soviet - Russian Movies of All Times,
https://trakt.tv/lists/23438778 269, The 100 Best Anime Movies of All Time,
https://trakt.tv/lists/23438792 270, The Top 5 Best Tony Leung Chiu-wai Performances,
https://trakt.tv/lists/23454466 271, Best of Britcoms - British Comedy TV Series,
https://trakt.tv/lists/23481955 272, Political TV Series,
https://trakt.tv/lists/23493994 273, Best Political Movies,
https://trakt.tv/lists/23493996 274, Sanjeev Kumar - Best Films,
https://trakt.tv/lists/23517399 275, Terrific 'Dialogue-Heavy' Films,
https://trakt.tv/lists/23517408 276, Smart Dialogue Films,
https://trakt.tv/lists/23517409 277, Funny Dialogues,
https://trakt.tv/lists/23517410 278, War Drama WWII - TV Shows,
https://trakt.tv/lists/23537452 279, Directory of World Cinema: Germany - 120 Titles,
https://trakt.tv/lists/21738394 280, 10 Best Film Scores Of 2021,
https://trakt.tv/lists/23782838 281, Films Based on Non-Fiction Books,
https://trakt.tv/lists/23782839 282, Best Suspense Thriller Movies,
https://trakt.tv/lists/23782840 283, Realistic Drama,
https://trakt.tv/lists/23782841 284, Feelgood Movies,
https://trakt.tv/lists/23782842 285, no plot, just vibes,
https://trakt.tv/lists/23782844 286, Period Dramas - 1920-1930s,
https://trakt.tv/lists/23782845 287, Period Dramas - Medieval Era,
https://trakt.tv/lists/23782846 288, Top 178 Psychosexual Thrillers,
https://trakt.tv/lists/23825035 289, Period Dramas for Children,
https://trakt.tv/lists/23782847 290, Sigma female shi,
https://trakt.tv/lists/23782851 291, Best Psychosexual thrillers. Sexy Neo-Noir - Hitchcockian,
https://trakt.tv/lists/23825036 292, Psychosexual Drama,
https://trakt.tv/lists/23825037 293, Obsession for Perfection,
https://trakt.tv/lists/23825063 294, Erotic Thrillers,
https://trakt.tv/lists/23854548 296, Loneliness and Isolation,
https://trakt.tv/lists/23871940 297, The Best Panic and Anxiety Inducing Movies,
https://trakt.tv/lists/23881232 298, depression and anxiety,
https://trakt.tv/lists/23881235 299, Documentary - Art & Design,
https://trakt.tv/lists/23881269 300, Films About Art, Design, & Music,
https://trakt.tv/lists/23881274 301, Art & Design,
https://trakt.tv/lists/23881275 302, French New Wave,
https://trakt.tv/lists/23881303 303, Top 100 Movies of the 1960s,
https://trakt.tv/lists/23903060 304, Masterpiece PBS,
https://trakt.tv/lists/23912357 305, Period Drama Miniseries (Mini TV Series),
https://trakt.tv/lists/23912379 306, Lonely People In Neon Cities,
https://trakt.tv/lists/23936836 307, Documentary- Music,
https://trakt.tv/lists/23936856 308, Black Life On Film,
https://trakt.tv/lists/23937010 309, 'Controversial' Lesbian Cinema Recommendations,
https://trakt.tv/lists/23937036 310, Dark, Deeply Disturbing, Controversial, Shocking, Bizarre, and Messed Up Films,
https://trakt.tv/lists/23937323 311, Stephen Gillepsie's Anti Capitalist Anti Imperialist And Anti Fascist Canon,
https://trakt.tv/lists/23937351 312, Documentaries For People Who Want To Watch More Documentaties,
https://trakt.tv/lists/23949000 313, Movies Where There Are No Men,
https://trakt.tv/lists/23954182 314, Movies Where There Are No Women,
https://trakt.tv/lists/23954198 315, Tales For None,
https://trakt.tv/lists/23954704 317, An Exploitation Independent List Of American Horror,
https://trakt.tv/lists/23954723 318, Comedies Ahead Of Their Time,
https://trakt.tv/lists/23954728 319, Hidden Gems,
https://trakt.tv/lists/23954743 320, Justine Smith's Top Films To Watch To Expand Your Horizons,
https://trakt.tv/lists/23954762 321, Female Friendships By Female Directors,
https://trakt.tv/lists/23954767 322, The Monstrous Feminine,
https://trakt.tv/lists/23954787 323, Movies That You Initially Thought Were Okay But Hit Hard By the Time You End Them.,
https://trakt.tv/lists/23954800 324, Don't Try To Understand It Feel It,
https://trakt.tv/lists/23954805 325, The Absolute Beauty In Everyday's Mundanity,
https://trakt.tv/lists/23954816 326, Speak Soft Go Slow,
https://trakt.tv/lists/23954817 327, Films That Hit Different At Night,
https://trakt.tv/lists/23954818 328, Psychosexual Dramas, Nihilistic Fever Dreams And Surrealism With A Touch Of Humor,
https://trakt.tv/lists/23954837 329, What A Difference A Day Makes,
https://trakt.tv/lists/23954844 330, East Asian Animation,
https://trakt.tv/lists/23954853 331, High Art Genre Movies,
https://trakt.tv/lists/23954860 332, Movies It Should Be Illegal To Watch Before 9PM,
https://trakt.tv/lists/23954875 333, The Life Of The Mind,
https://trakt.tv/lists/23954891 334, I'm Empty And Aching And Don't Know Why,
https://trakt.tv/lists/23954906 335, The Cinephile Teen Starter Pack,
https://trakt.tv/lists/23954909 336, Most Controversial Films On Letterboxd,
https://trakt.tv/lists/23954912 337, Juliodogpit's Greatest Films Ranked As Objectively As Possible!,
https://trakt.tv/lists/23990673 338, Movies That Have The Craziest Last 15 To 20 Minute,
https://trakt.tv/lists/23990682 339, The Complete Criterion Collection,
https://trakt.tv/lists/23990705 340, "That Ending!!" Films,
https://trakt.tv/lists/23990718 341, Rolling Stone's 100 Greatest TV Shows of All Time,
https://trakt.tv/lists/23990745 342, All About The Dreamy Filmgaze,
https://trakt.tv/lists/23991777 343, The Obsessed Artist,
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https://trakt.tv/lists/24526643 387, Best Examples of Surrealism in Cinema!,
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https://trakt.tv/lists/24513862 391, Thanksgiving,
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https://trakt.tv/lists/24624565 400, Fantasy (Comedy/ Romance),
https://trakt.tv/lists/24624566 401, Romance-Comedy/ Romance-Fantasy/ Fantasy-Comedy Movies,
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https://trakt.tv/lists/24625468 403, BFI Top 100 British films,
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https://trakt.tv/lists/25080997 449, Éric Rohmer - Contes des Quatre Saisons (Tales of the Four Seasons),
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https://trakt.tv/lists/25281383 460, The great DARK COMEDY list!,
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https://trakt.tv/lists/25131148 465, Movies - Trending [couchmoney.tv],
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https://trakt.tv/lists/25131151 467, TV - Recommendations [couchmoney.tv],
https://trakt.tv/lists/25283779 468, Christopher Doyle,
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https://trakt.tv/lists/25283780 470, Wong Kar-Wai Films,
https://trakt.tv/lists/25178597 471, TV - Trending [couchmoney.tv],
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https://trakt.tv/lists/25298199 474, Cannes 2023 Lineup,
https://trakt.tv/lists/25225066 475, Documentaries - Earth & Nature,
https://trakt.tv/lists/25298200 476, THE 20 Best Songs From 1950's Films EVER...,
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https://trakt.tv/lists/25298201 478, Best Use of Music in Films,
https://trakt.tv/lists/25225122 479, BBC Natural History Unit Shows,
https://trakt.tv/lists/25298202 480, Iconic Use of Songs in Movies,
https://trakt.tv/lists/25225126 submitted by
majeed_isb to
Addons4Kodi [link] [comments]
2023.06.10 19:41 Cosmosly I found the PERFECT stock, and I’m betting everything on it. [Archive of WSB post]
| Disclaimer: this is my own stupid thinking, not investment advice. Ask your wife’s boyfriend if this is right for you. Summary Feel like you missed out on winners, or were too scared to put in your Doordash check? $SOFI is literally the next big thing. Bears/bulls, value/growth, regards/chads- it fits every DD. I’m so sure I maxed out my entire life savings. Considering a line of credit on my mom’s house and a margin loan next. PROOF: Brokerage and 401k (in the process of converting the other stocks) Roth IRA Robinhood options This is NOT some SPAC bagholder trying to boost the stock price, nor is it a 0DTE cokehead move. This is a rational thesis for (I believe) a smart equity play. Did I see it go up a few cents, cream my pants, and think I’m the next Buffett writing this post? Maybe. In my opinion this is a 100% small penis 4-bagger and I’m sharing it like Moses with acid tabs. Here’s the 4-point DD for you with ADHD: - It’s Robinhood, but actually good for you
- The company is in great shape
- Permabears and bulls have reasons to love it
- The brand is (let me explain) the next JPMorgan Chase
Thesis Product - SoFi is actually a great product. Is it the BEST? Fuck no. But it’s like the goldilocks/Anna Kendrick of all apps. The Friday night reliable.
- The company is going for this generation’s next big bank. It is high-interest, chartered (4.3% APY) and offers everything you need under the sun.
- The whole company’s theme is: “Get your money right.” They want to be the one-stop shop for all your MONEY needs and they do it with a bank teller smile.
- SoFi will ride or DIE with you. Student loan refi, your job’s direct deposit, a loan for that cock ring, a credit card for that solo trip to Thailand, a HELOC for that YOLO stock play. It goes on and on.
- They have consumers in mind, and not in a fake old lady See’s Candy kind of way. For example: if you lose your job and can’t pay your student debt, they will pause your payments and help you find a job. No joke. Look beyond the news and you’ll see people are over the moon about their relationship with SoFi.
- They have a few bad spots (dogshit trading platform and ETFs that never move), but they are trying so fucking hard. I could go on and on, but it’s 5:49am (couldn’t sleep, came up with this post in a fever dream) and I have a ton more to write.
- They also have Galileo and Technisys, which are like new PVC pipes for the financial system. I’m literally too smoothbrained to explain this, all you need to know is there is a lot of real interest from banks and companies to use these products. sofistock has nerds who can explain this to you.
Financials - Okay here comes the boring stuff, so skip this if you don’t care about amateur due diligence.
- Remember when banks used to pay good interest, then you realized they were pocketing it all? People are realizing and going to SoFi. When the bank crisis happened and everyone was moving their money out, SoFi actually GAINED deposits. The company has said they are on-track to add $2B each quarter, and management are known to low-ball their estimates. NINETY PERCENT of their customers use direct deposit for their premium membership SoFi Plus, which will only accelerate the trend. You know how hard it is to change banks with direct deposit. Sticky as shit.
h/t SnipahShot for the graphic - SoFi has EIGHT fucking quarters of consecutive revenue growth, is EBITDA profitable (whatever that’s worth to you), and is projected to be GAAP profitable by Q4. I think there’s an outside chance this happens in Q3. Dig into it more if you want to Burry it https://s27.q4cdn.com/749715820/files/doc_financials/2023/q1/Q1-23-Investor-Presentation_.pdf
- SoFi is growing WHILE student loans have been paused. Name a better miracle. They replaced it by diversifying their business in financial services (e.g. the shit I mentioned earlier) and other loans.
- While most banks have been selling their loan books at a loss to manage higher interest rates, SoFi have been keeping theirs to maturity and getting a higher return. There is a lot of debate into this, especially around how they calculate mark to market, so again do your own DD about this.
- By the way: “there are many reasons insiders sell a stock, but only one reason to buy.” The CEO Anthony Noto is eating pork and beans like me buying the stock like CRAZY. I mean just look at this degeneracy. He knows he has a chance to become the next billionaire bank CEO Jamie Dimon and has purchased back $13.6m dollars worth of shares (1/5 of his total comp so far lmfao).
He had to disclose his wife buying on the side too Macro - Big picture time. Full disclosure, I’m a permabear. I literally have the worst outlook on things and I metaphorically killed my therapist with my doom and gloom. This country is so levered up to the tits it’s just one gentle breeze away from collapsing.
- But you know who always gets paid? By hook and crook, the banks will get what they’re owed. If not we are all fucked and/or there will be a bailout. If everything is going to shit, banks are the least dogshit shit. Would you rather buy a stock with a tremendous amount of debt super dependent on consumer spending, or something that will make money in a depression?
- I said this was a stock for everyone. For the permabulls, everything is fine and SoFi is growing its metrics like a rocket ship. What is there to lose? The management team has signaled good outlooks and the stock price has gone up consecutively since June 1st.
- For value investors, this stock is still near book value. Most bank stocks are, but considering its fair value by Morningstar ($16) or PT by well-known analysts ($8-12) there are still some mArGiN oF sAfEtY
- Growthies, this is a tech stock BABY. They are the AWS of finance! They use tech to analyze loan risk. They have AIAIAIAI in a chat bot! Upside everywhere
- Oh and by the way, $SOFI is not correlated with its peers. Look at $LC $UPST and other fintech companies in the sector. In my mind it’s becoming the Nubank of America.
- The Fed is expected to “skip” rate hikes next week. Long term that means APY is probably plateauing and on a downward trajectory. But if you know SoFi has done nothing but good and given you the best interest rate, why move?
Brand - Okay let’s start with them suing the government for pausing student loans. The CEO has addressed this multiple times: they support student loan FORGIVENESS, but when it comes to PAUSING payments for borrowers who don’t qualify, they thought the 3rd year was excessive. Yes they shit the bed bad for that, but they’ll recover.
- Aside from the revenue, a big reason they did this is because the CEO has integrity. Like too much integrity to let this go for shareholders. Anthony Noto grew up working class, graduated from West Point, and rose through the ranks in the finance world. Imagine if Charlie from Charlie and the Chocolate Factory was real and became a banking god.
- His track record is insane. CFO for the NFL during record growth. COO for Twitter where he was putting out garbage fires. He knows how to run shit, and now he’s back in finance after SoFi booted the last CEO for being pervy.
- One downside, he is boring as shit. He won’t talk about who’s a pedo, how Soros is evil or some other drama. He only talks about banking and banking accessories I tell you what. Bank Hill
- Look at his Twitter Likes. https://twitter.com/anthonynoto/likes He knows something is brewing, and he gets a big payday if the stock hits $45.
- Back to the company. At a recent fintech conference hosted by Piper Sandler, Noto announced that SoFi has a Net Promoter Score (how much people like the brand) of 80 for its loan business. For context, American Express has 52. The math says SoFi is literally 54% better.
- Maybe part of the reason is because they have the naming rights to a football stadium in Los Angeles. One where little kids go to see Taylor Swift and grown ass men watch other grown ass men smack into one another. Where it’s mentioned all the time for being state of the art and environmentally friendly in the largest entertainment market. WHERE THEY WILL HOST MULTIPLE WORLD CUP GAMES AND OLYMPIC SPORTS.
- I mentioned the SPAC bagholders. They still exist and have been pounding nonstop about the stock all the way down. There are some stonk flashbacks here that are about to explode.
BUT BUT BUT… - iTs pRiCeD iN – Wall Street is only getting a taste of this dildo. Once the annual shareholder meeting comes along next week and estimates come in better than expected on earnings, this next door 2 turns into a 10.
- Student loans defaults are coming, you stupid fuck – You think the bank will let you go to Disneyland once they start asking for their money? They will garnish wages and withhold taxes on you plebs. Grow up or move to Vietnam. Or, just maybe, the stock goes up and you use the profits to pay off the ball and chain?
- This is literally your first time posting to WSB – Yes, I’m a fucking worm lurking in the shadows. This will be the one and only thesis I put out.
- Wedbush has a PT of $3, this thing is going down – Go ahead and listen to David Chiaverini, who has a success rating of 35% and has no skin in the game https://www.tipranks.com/experts/analysts/david-chiaverini Or me, who’s about to mortgage everything because he see’s asymmetric risk.
- Why post now? – I genuinely think this will get re-rated with a soft tech valuation of $32, and we’re at the cusp of it happening.
- What will change the price – Market realization, better than expected results coming soon, major deals announced, new product releases planned this year. Literally yesterday they announced “SoFi at Work”, a program to allow employers to help contribute to student loan payments.
In Conclusion Take this however you want, go fuck yourself etc. If you miss the boat, DM me to sign up for a new SoFi account and get up to $275 back when you set up direct deposit. Again I cannot stress this enough, this is not financial advice and please do your own research. submitted by Cosmosly to sofistock [link] [comments] |
2023.06.10 19:33 zlaxy Exactly 50 years ago, the Soviet architect and restorer Ludwig Heinrich Mavrikievich died
| Exactly 50 years ago, the Soviet architect and restorer Ludwig Heinrich Mavrikievich died. In recent years his name has become popular in the West as “ one of the people caught up in Stalin’s purges, he was killed because of his knowledge about aliens; he was officially accused of being a spy for the Vatican, but in 2011, the Russian paper Top Secret claimed that his work at the Vatican was studying manuscripts that indicated ancient alien contact“. In this vein, his name became known thanks to a popular documentary TV series “Ancient Aliens“, on the History Channel, an episode of “Russia’s Secret Files“. The film claimed: “ The reason he was accused of being a spy for the Vatican is because in 1920s, as a young student of architecture, he visited the Vatican, where he was given access to the secret library. In that library, he found manuscripts that describe extraterrestrial civilizations and more. Dr. Genrikh Ludvig discovered a number of manuscripts suggesting that there had been historic extraterrestrial contact with ancient civilizations in Egypt, Israel, and Mesopotamia. These manuscripts that talked, for example, about the pyramids and described them as energy machines.” The film went on to make a bold attempt to identify Russian cosmism with Ancient astronauts. https://preview.redd.it/d2tdkulh785b1.jpg?width=880&format=pjpg&auto=webp&s=627947f59ea2362f2a05b7cfc74584983e1ebb06 All such information about Heinrich Ludwig’s connection to Vatican archives and aliens is based on a single Russian-language source – the article “Professor Ludwig’s Worlds” in the Russian newspaper Sovershenno Sekretno (“Top Secret”), written by journalist Vladimir Kucharyants, who, as he himself claims, personally knew Ludwig when was a student at the Institute. The article explains the episode in which the Soviet architect was allowed access to the Vatican archives this way: “He, who was studying the Etruscans and deciphering their language, was extremely interested in the documents held in the Vatican library. In his ‘Herodotus journey’, Rome was one of the key points. At the Vatican he sought permission from the Cardinal, the keeper of the library. As one of his arguments, he cited a terrible Italian swearword that blasphemously commemorated Our Lady… The Cardinal, becoming enraged, wanted to throw him out, but when Ludwig began hastily revealing to him the etymology and esoteric meaning of these words (and it is very different, almost sacred in Etruscans), the Holy Father was so impressed by his knowledge that he not only allowed him into the vault, but also allowed him to photograph the necessary documents.” Apart from this anecdotal episode, the article also claims other contradictory biographical details, such as: “I was brutally beaten at interrogations, demanding confessions of fantastic absurdities: ‘While a member of the VKP(b), I was simultaneously a resident of American, German, Polish, Turkish and Vatican counterintelligence for 15 years, trading in the blood of workers and peasants in the USSR. Prepared the bombing of the Nikolaev grain elevator (I have never been to Nikolaev). Organised the largest assassination attempt in the form of explosion of all bread lines of the USSR. He was a chairman of fascist organisation in the Soviet Union…”. I must say a special word about one subtle trick in the methodology of the investigation. After another refusal by me to testify, the investigator opened the door to the corridor of the Lefortovo prison’s investigation rooms and nodded to someone. Nearby a woman was being brutally beaten. -Do you recognise it? – The investigator gloated. I grew wary, lost in anguished speculation. – You scoundrel, bastard, fascist! You don’t pity your own wife! And we’re only beating her because of you… I’ve never heard my wife scream like that before! When the woman fell unconscious, then /she/ let out a moan, I shouted: – Stop it! I’ll sign everything, just don’t hit my wife. At the dictation of the investigator I signed slanderous testimony against myself…”. Later he found out: it wasn’t his wife who was tortured. His wife, a Party worker, was still living happily in their big, cosy flat on Tverskaya street. She had written a denunciation about her husband.” In this case, according to Kucharyants, this is a fragment of the manuscript, which the professor’s widow herself provided to the journalist. Another source, A.V. Trubetskoy’s memoirs “Paths undiscovered“, mentions another episode relating to the architect Ludwig: “There was a rather famous architect, Heinrich Ludwig, an elderly, grey-haired man with bushy eyebrows (the kind of man who usually smokes a pipe when he is outside). I knew him well. Ludwig told me that he had entered a design competition for the Palace of the Soviets, and his design had been exhibited and published. In the camp Ludwig had a hernia operation and had his navel cut out. The operated one later joked that only Adam, as not being born by a woman, did not have a belly button.” Some more reliable sources report that before the crackdown, Ludwig held the following positions: “ head of the architectural workshops of the People’s Commissariat of Health (1934-1935) and the People’s Commissariat of Light Industry (1935-1937) of the USSR, professor at the MIIT, MISI, MVTU, the Military Engineering Academy, director of the MArhI (1936-1937), head of restoration work in the Kremlin, in the Ostankino and Arkhangelskoye estates, the Church of St Basil the Blessed, the Trinity-Sergius Lavra. He has carried out over 200 major projects.” He is considered to be one of the most active figures of the Russian architectural avant-garde. In the words of art historian Selim Omarovich Khan-Magomedov, he “synthesised an artist and an engineer”. It is said that he travelled to Turkey at the personal invitation of Ataturk, the founder of the Turkish nation, who decided to change the face of Ankara, and met with him repeatedly. Ludwig created the design for a Soviet embassy in Turkey, the year after the young Republic of Turkey was founded. He was also the author of competition designs for the monument to Christopher Columbus in Santo Domingo and the Palace of the Soviets in Moscow. https://preview.redd.it/sv1nmy0m785b1.png?width=1485&format=png&auto=webp&s=021ed41072eb149231ec2741c115f43ed0aa085a Artist Vyacheslav Lenkov made this statement in the newspaper Russky Vestnik about the unrealised project of the Palace of the Soviets: “When Stalin finally came to power before the war, he summoned a specialist and told him to scientifically substantiate that this enormous Palace on the site of the Cathedral of Christ the Saviour was technically impossible to build. It was Professor Ludwig Heinrich Mavrikievich. He was later reminded of this memo and exiled to Siberia for his German origin, and in the camp his bones were crushed – as if they had been made into a crucifix. Then he could hardly walk, but he came back and taught at our place.” Meanwhile, in the Volga Correctional Labour Camp, Ludwig worked as an architect in the technical department of the Volgostroy NKVD. Later, he was head of construction works, technologist at plant No.1 of the MGB in Yaroslavl; chief architect of the camp in the town of Spassk in the Karaganda region. It may be noted that he worked as an architect in Rybinsk, during the construction of the Rybinsk hydroelectric power station during the flooding of the ancient trade and religious centre, the town of Mologa. The following year after Stalin’s death Heinrich Ludwig was released from the camps (having been convicted under Article 58-6-1 of the Criminal Code of the RSFSR, espionage) and rehabilitated a couple of years later. After the exile he taught, was a corresponding member of the USSR Academy of Construction and Architecture, was the editor of the journals “Architecture in the USSR” and “Architecture Abroad”, and was an honorary member of the Institute of Archaeology in Illinois (USA). It is difficult to determine what is reliable information among the many biographical fragments from the life of Heinrich Ludwig and what is not: whether he was a talented architect, innocently condemned by the Soviet system for espionage, or whether he was a “great architect” of Soviet and international secret societies, with a fabricated and mythologized biography, of the rank of Nikolai Alexandrovich Morozov (the forefather and architect of the New Chronology theory, the venerable master of the Zarya Peterburga Lodge). In any case, Ludwig was connected with space not only by hypothetical ancient aliens from “Sovershenno Sekretno” newspaper, but also by close cooperation with Alexander Chizhevsky, a representative of Russian cosmism, who during his lifetime was removed from several leading positions for falsification of scientific research results. It was Ludwig who wrote the first review of one of Chizhevsky’s last manuscripts, “On the Shore of the Universe – Memories of K.E. Tsiolkovsky“, a fragment of which was put on the cover of the posthumous edition. “Nowhere is the personality of K.E. Tsiolkovsky, as a man, so clearly and distinctly portrayed as in the book under consideration… In the literature about K.E. Tsiolkovsky there is nothing more powerful… The work of Professor A.L. Chizhevsky, an eyewitness and friend of the genius scientist, should be called a classic… Professor G.M. Ludwig” submitted by zlaxy to forgeryreplicafiction [link] [comments] |
2023.06.10 18:32 Missy_Elliott_Smith [June 10th, 1923] The Inquiring Photographer asks Manhattan pedestrians if lying is ever justified.
2023.06.10 18:30 smbrynien Complete List of Gluten Free Places to Eat in Philly
My partner has celiac and we have lived in Philly for a long time and eaten at many places in Philly and the surrounding suburbs, so I thought I would post my list of all the places she is able to eat at safely and that we like. Feel free to add any suggestions or places you have been to in order to help grow this list.
Obviously everyone has a different level of sensitivity to gluten, I cannot speak for cross-contamination at these places. If that is a concern to you, please call ahead to verify.
Restaurant | Cuisine | Location |
Schmear It | Bagels | Center City/University City |
Batter & Crumbs | Bakery | Passyunk |
Flakely | Bakery | Manayunk |
Happy Mixer | Bakery | Chalfont/Langhorne |
High Fidelity | Bakery | South Philly |
Taffets | Bakery | Italian Market |
P.S. & Co. | Bakery/Cafe | Rittenhouse |
Sweet Lucy's Smokehouse | BBQ | Northeast Philly |
Winkel | Brunch | Washington Square West |
P'unk Burger | Burgers | South Philly |
Front Street | Cafe | Fishtown |
Gilda | Cafe | Fishtown |
EMei | Chinese | Chinatown |
Unit Su Vege | Chinese Vegetarian | Fairmount |
Fox & Son Fair Foods | Corn Dogs/Funnel Cake/etc. | Redding Terminal |
T-Swirl Crepe | Crepes | Chinatown |
Okie Dokie Donuts | Donuts | South Philly |
Doro Bet | Ethiopian | University City |
Lovebird | Fried Chicken Sandwiches | Various (suburbs) |
El Merkury | Guatemalan | Rittenhouse |
Real Food Eatery | Health Food | Rittenhouse |
Veda | Indian | Rittenhouse |
Cry Baby Pasta | Italian | Queen Village |
Giorgio on Pine | Italian | Washington Square West |
Panorama | Italian | Old City |
Prunella | Italian | Center City |
Double Knot | Japanese | Center City |
Jomon | Japanese BBQ | Center City |
Moonbowls | Korean Bowls | Girard |
Bar Bombon | Latin American | Rittenhouse |
Mission Taqueria | Mexican | Rittenhouse |
&Pizza | Pizza | Rittenhouse/University City |
Couch Tomato | Pizza | Manayunk |
D'Oliva | Pizza | Northern Liberties |
Emmy Squared | Pizza | Queen Village |
Jules Thin Crust | Pizza | Various (suburbs) |
Slice | Pizza | Italian Market |
Prohibition Taproom | Pub | Poplar |
SouthHouse | Pub | South Philly |
Jay's Steak and Hoagie Joint | Sandwiches | Langhorne |
Middle Child | Sandwiches | Washington Square West/Fishtown |
High Street | Sandwiches/Pastries | Washington Square West |
DanDan | Sichuan/Taiwanese | Rittenhouse |
Kalaya | Thai | Fishtown |
Primary Plant Based | Vegan | Fishtown |
Puyero | Venezuelan | Queen Village |
Some personal favorites of ours: - Doro Bet has incredible GF fried chicken
- Panorama has incredible homemade GF pasta, most other places use store bought GF pasta
- Puyero is just absolutely delicious
- Okie Dokie donuts are phenomenal and deliver
- Middle Child sandwiches are the best and the GF bread is a Focaccia
- Mission Taqueria has great tacos and margaritas
- Jules Pizza is the best but it is out in the suburbs unfortunately
submitted by
smbrynien to
PhiladelphiaEats [link] [comments]
2023.06.10 17:46 Gunther__Lauch Street View journey visiting every Premier League Football Stadium final part! (AFC Bournemouth - Fulham FC
Part 3:
Vitality Stadium, Bournemouth - St. Mary's Stadium, Southampton - American Express Community Stadium, Brighton and Hove - Selhurst Park Stadium, London - Stamford Bridge, London - Wembley Stadium, London - Tottenham Hotspur Stadium, London - London Stadium, London - Emirates Stadium, London -----
AC Cobra 427 replica London, 2012
https://goo.gl/maps/KWJC16n6fYQeLKik9 Sick trailer with some foreign registered cars from Monaco, Italy etc! M23, 2015
Alfa Romeo Giulia GTV Junior - Citroen DS21 -
Jaguar XK120 FHC - Lamborghini Gallardo LP 560-4 - Maserati GranTurismo Sport
https://goo.gl/maps/vSDvjiMyoVEh4zheA Alpina B3 S E46 M27, 2017
https://goo.gl/maps/oFbN6B6BgURL2H977 Aston Martin DBR2 replica with a DB4 GT gearbox & DB4 GTS specced engine!! M23, 2012
https://www.goodingco.com/lot/1957-aston-martin-dbr2-re-creation/ https://goo.gl/maps/DVHzPpU1wFWtsMNaA Aston Martin DB7 Volante Southampton, 2017
https://goo.gl/maps/6g27GjtEeRE4RN5g7 Aston Martin DB9 Bournemouth, 2015
https://goo.gl/maps/5gvKbnAszaDQrVhb6 Aston Martin DB9 Brighton, 2023
https://goo.gl/maps/8E9jRVHSHgT31vwz9 Aston Martin DB9 Volante London, 2019
https://goo.gl/maps/8um9sNHawkipbZzC9 Aston Martin DB9 GT A31, 2021
https://goo.gl/maps/BdFEav95T9LeEKdt8 Aston Martin DB9 GT Volante A27, 2022
https://goo.gl/maps/MNRTXQchSmjQenD28 Aston Martin Vantage 2005 London, 2012
https://goo.gl/maps/qbT2tdQ3PxV5v7mj7 Aston Martin Vantage S Croydon, 2016
https://goo.gl/maps/n9LdmJPbpUvuEyob9 Aston Martin V12 Vantage S! London, 2020
https://goo.gl/maps/muguqih7JaK56RED6 Aston Martin Rapide S London, 2019
https://goo.gl/maps/isbVyMaJmH2ejatv8 Audi R8 Typ 42 M27, 2015
https://goo.gl/maps/hgyzFgwMs2xujz8h6 Audi R8 Typ 42! Arundel, 2018
https://goo.gl/maps/Xe7zFAznyGjhFwzU6 Audi R8 Typ 42 Spyder Southampton, 2018
https://goo.gl/maps/oFhi7hG6EPLnDYCj6 Audi R8 Typ 42 V10 Croydon, 2019
https://goo.gl/maps/BTX8TsPKsN9NAur69 Audi R8 V10 Plus 4S Brighton, 2019
https://goo.gl/maps/wpUbDqp868gfMZCV6 Audi R8 V10 Spyder 4S Southampton, 2023
https://goo.gl/maps/qLysxFhaLL8bvvK58 Tuned Audi RS6 C8 Bournemouth, 2023
https://goo.gl/maps/MDivuR4LoJazu53DA Bentley Continental GT II A23, 2018
https://goo.gl/maps/YzBvHHHunShi94HG8 Bentley Continental GT ii A27, 2022
https://goo.gl/maps/GZSdHkuKMCzcJe9D8 Bentley Mulsanne A406, 2017
https://goo.gl/maps/xTZyDBAJqYhgihTg8 BMW M4 G82 London, 2023
https://goo.gl/maps/jdNe4hSwUMXQFZKA7 Corvette C3 Stingray London, 2022
https://goo.gl/maps/XFX2R2qruorwN6Ew7 Corvette C5 Stingray Southampton, 2023
https://goo.gl/maps/zFVAddnrXuTjwiEs7 Dodge Challenger SRT Hellcat Widebody & Challenger R / T Widebody A40, 2022
https://goo.gl/maps/beFxj9GiBedi3hXA6 Ferrari F355 Berlinetta M27, 2017
https://goo.gl/maps/YVdXiaFS3dU9k6n98 Ferrari 458 Italia A406, 2015
https://goo.gl/maps/KqNmP32UGpaN5JtXA Ferrari 599 GTB! A406, 2017
https://goo.gl/maps/ogP8gDEXZ7XxL2s8A Ferrari 599 GTB! Bournemouth, 2020
https://goo.gl/maps/oxBLMtHJwvad4QoZ9 Ferrari 812 Superfast! A23, 2021
https://goo.gl/maps/UhwYuGQNivV4Spux9 Ford Mustang Fastback "Bullitt" 1967 A27, 2018
https://goo.gl/maps/we6oNDVufUsTHAMeA Jaguar F-Pace SVR Brighton, 2023
https://goo.gl/maps/BUwdC9tLAUmQRX5LA Lamborghini Aventador S & Aventador S Roadster LP740-4 combo! Croydon, 2020
https://goo.gl/maps/Udj8PjwiNSiv8Rry9 Lamborghini Hurac´án LP 610-4 London, 2015
https://goo.gl/maps/ZV4fekpqU1hMdcPo6 Lamborghini Huracán LP 610-4 Croydon, 2017
https://goo.gl/maps/4NXa6pJFQei6VBfq8 Lamborghini Urus A27, 2019
https://goo.gl/maps/e5snrPzRqcLqkYXTA Lamborghini Urus Walberton, 2021
https://goo.gl/maps/opbDhx5Vc2PQRAg88 Lamborghini Urus London, 2022
https://goo.gl/maps/dVZbkniQpZkdz3fC8 Lotus Elan M100 A338, 2023
https://goo.gl/maps/MeMrDZCGFXYt2YET6 Lotus Elise S2 Brighton, 2018
https://goo.gl/maps/a8H1J5U5x43k1iag6 Lotus Evora M27, 2016
https://goo.gl/maps/BkfJ6uJrFUNhVDfs8 Lotus Exige Sport 350 S3 Chichester, 2021
https://goo.gl/maps/qvA6JsGGGq2PStgd7 McLaren 570S Spider! A23, 2023
https://goo.gl/maps/mu4apm1S1tLW5g2v7 McLaren 12C London, 2015
https://goo.gl/maps/Hs2G8YusbyH6QSPP6 Mercedes AMG GT C190 A406, 2018
https://goo.gl/maps/nKwMR48jS8BU9mVG6 Mercedes AMG GT C190 London, 2018
https://goo.gl/maps/x6J5vB2aDozkmBeG8 Mercedes S63 AMG A217 M271, 2017
https://goo.gl/maps/WCJaqMdUMRibUacf7 Nissan GT-R Nismo 2016! M27, 2020
https://goo.gl/maps/UiocumdgD3neVRoS9 Porsche 911 F-Modell A31, 2011
https://goo.gl/maps/hgkiuiTjrw9cJ76V9 Porsche 911 S 2.7 F-Modell M23, 2018
https://goo.gl/maps/HupzozPQxqStu9jn8 Porsche 911 S 2.7 F-Modell! A31, 2021
https://goo.gl/maps/HupzozPQxqStu9jn8 Porsche 911 G-Modell M23, 2012
https://goo.gl/maps/1WZYugRnUPCLomCV7 Tuned Porsche 911 G-Modell A27, 2014
https://goo.gl/maps/3aAniM29bLhk6XNm9 Porsche 964 Cabrio Slantnose conversion! A40, 2014
https://goo.gl/maps/pXJMBi1WKJbVimF39 Porsche 911 Turbo 996.2 London, 2015
https://goo.gl/maps/s3ZpLMVDagi4QyhY6 Porsche 911 Targa 4 GTS 991.2 Southampton, 2023
https://goo.gl/maps/JVzCvuSETazp8jbV7 Porsche 911 GTS Cabrio 992.1 Croydon, 2023
https://goo.gl/maps/TqwF87WmsqUyVQRy6 Porsche Cayman GT4 981! Clapham, 2019
https://goo.gl/maps/qZZzxNFRKXFR1Qaz7 Porsche 968 Cabrio A27, 2021
https://goo.gl/maps/FHxCw5Mv4fmP9KS5A Rolls Royce Cullinan Worthing, 2023
https://goo.gl/maps/MbB5R3Hz2wbmenSC8 Rolls Royce Cullinan Black Badge London, 2020
https://goo.gl/maps/exXXaibfvigmakqVA Rolls Royce Phantom VII London, 2012
https://goo.gl/maps/obnD1aj32vN9iXNB7 Rolls Royce Silver Shadow II A338, 2018
https://goo.gl/maps/JEYB2uhuoAD19a5M8 Rolls Royce Wraith Croydon, 2019
https://goo.gl/maps/cvZNJFxbFcw6WGtFA Factory Pink Rolls Royce Wraith! A27, 2022
https://goo.gl/maps/Vk3qbVKsNSNkzG3u8 Toyota Supra A80 A27, 2009
https://goo.gl/maps/VjYYBEwodC8EZj4s6 TVR Chimaera M27, 2012
https://goo.gl/maps/WY9P9LTRpc4m6F4PA TVR Chimaera London, 2016
https://goo.gl/maps/dxqnSUA1AYZeJ9Bq6 TVR Tamora London, 2018
https://goo.gl/maps/7hWG83HgA2ig8SmV6 -----
The Stadiums: St. Mary's Stadium - Southampton FC
https://goo.gl/maps/U69jrdkUZeCdkz5T8 American Express Community Stadium - Brighton and Hove Albion
https://goo.gl/maps/enWfMWnLgy9mt36s7 Selhurst Park Stadium - Crystal Palace
https://goo.gl/maps/zVA3BRkCdH97Gt8b9 Stamford Bridge - Chelsea FC
https://goo.gl/maps/1vWAzLdVxB565cUq7 Wembley Stadium - England National Stadium
https://goo.gl/maps/GJK6ngKonAxXQphP7 Tottenham Hotspur Stadium - Tottenham Hotspur
https://goo.gl/maps/2kyb7CzEXRSujnss6 London Stadium - West Ham United
https://goo.gl/maps/CYrZxz1YuBFy1Xht6 Emirates Stadium - Arsenal FC
https://goo.gl/maps/cLg4HwuYoUbMfAwP8 -----
The route I'm taking:
Fulham - Liverpool Liverpool - West Ham West Ham - Fulham -----
Part 1 Part 2 -----
1571 km distance
300 spots
submitted by
Gunther__Lauch to
StreetviewCarSpotting [link] [comments]
2023.06.10 17:32 ShinMinase The Legend of Zant -Sons of Suzuki
https://zeldafanon.fandom.com/wiki/The_Legend_of_Zant_-_Sons_of_Suzuki This is not a fanfiction, it's just an idea for a Zelda TV series, born out of resolving the problem of Link not being able to talk... by making the series about a reboot version of Zant rather than Link. I'm not planning to write it, if I had to, I'd remove the connections to Zelda and make it original
Many years after Link fought Ganondorf, Hyrule has been industrialized and seems to be thrust in an age of new prosperity, perhaps too fast..
The Sheikah empire of Shan-Raznik, in the far east, has sent its Samurai to Hyrule in order to assert its control over it.
One day, Link has been found dead in mysterious circumstances. Who was the killer? And Zelda was nowhere to be found when Link was killed. Hyrulean aristocrats are split between supporters of the Shanraznites and supporters of the Domnitsa republic. Crime is now rampant, with the Rito mafia, Gerudo street gangs and Korok ecoterrorists all rivaling for the control of the city.
The Legend of Zelda has completely faded to myth, no one believes in it anymore.
A few years after the murders, Link and Zelda's illegitimate son Nick Zant Fenghyun (who has Zelda as a mother but a Shanraznite noble named Zant Haiquan as father) now lives in the streets, while their legitimate son Scott has fallen into isolation in his manor. In the streets, Nick has an encounter with Sarah, a girl from a street gang who seems to have dark magic powers and is believed to be Ganondorf's daughter, calling herself Sarah Suzuki.
Nick and Sarah join forces and decide to bring justice in the Hyrule underworld through violence and unchivalrous means, and as such name themselves Sons of Suzuki, from the name of Ganondorf Suzuki.
The rest of the Sons of Suzuki are reboot versions of Zelda villains: Brendon Yuga, Tatyana Girakhim (reboot Ghirahim), Elize Byrne and Hestia/Majora's Mask (reboot Skull Kid, actually Zelda, who was believed dead).
It does not star Link, who appears only in a few flashback scenes completely mute, as someone had sold him out and killed him. Meanwhile, Zelda is now an adult and her claim to the throne means next to jackshit. The concept is "a corruption-filled Hyrule that no longer believes in the Legend of Zelda" where there's no hero, but rather a bunch of psychopath punks led by a son Zelda had from a noble from the East, who claim the title Sons of Suzuki (as in Ganondorf Suzuki) and beat mobs, gangs and evil empires into submission.
The main inspiration is a TV series named Gotham Knights.
Instead, it's about a recently industrialized, Gotham-esque, Hyrule where ancient magitech and modern steampunk coexist, the protagonist is Link's adoptive son Nick Zant Fenghyun, who will grow up to become Zant the Usurper.
The setting combines steampunk, Wild West, the early 1900s, the 1940s, the 1980s and the 1990s (with other aesthetics such as cyberpunk samurai for the Shanraznites, Arabic for the Gerudo, and tiki/prehistoric for the Koroks). You can see knights on horses using rifles, Gerudo gangsta rap, a lot of swords in the streets, rich people having vaguely 1940-esque cars, no internet but a lot of steam-based trains and even some steam-powered robots
Would you like this concept?
submitted by
ShinMinase to
ZeldaFanFiction [link] [comments]
2023.06.10 17:31 GamerGirl_89 [H] TONS Of Games In STEAM GIFT Inventory [W] TF2 KEYS ONLY
Most are all in my "gift inventory" and the trades for the most part go all through STEAM for both parties safety/
I do have REP under the HARDWARESWAP subreddit. i.e. from selling computer hardware. KEYS ONLY GAMES are the VR Games FULL STEAM INVENTORY
https://steamcommunity.com/profiles/76561198114574502/inventory/
XBOX Microsoft:
Sea Of Thieves: Ferryman DLC :rare:
VR Games Only Battlewake
MSRP $29.99 Electronauts Music
MSRP The Walking Dead Onslaught - Deluxe Edition
MSRP $39.99 Creed: Rise to Glory
MSRP $29.99 Raw Data
MSRP $39.99 Sprint Vector
MSRP $29.99 Alan Wake Franchise Aliens: Colonial Marines - Reconnaissance Pack Aliens: Colonial Marines Sawed-off Double Barrel Shotgun Aliens: Colonial Marines SHARP Sticks Alone in the Dark: The New Nightmare Amnesia: The Dark Descent
Awesomenauts Awesomenauts - the 2D moba, Froggy G - Awesomenauts Character, Sheriff Lonestar - Awesomenauts Character, Scoop of Justice - Awesomenauts Character
Awesomenauts - Ravishing Raelynn Skin Barry's Commandant Costume Bastion Bastion + Soundtrack DLC Batman Arkham City: Harley Quinn's Revenge Battlefield: Bad Company™ 2 Batman: Arkham Asylum Game of the Year Edition Binary Domain Bioshock : BioShock™, BioShock™ Remastered
Unknown package 31771 = BioShock® 2, BioShock™ 2 Remastered
Unknown package 15360=BioShock™, BioShock® 2, BioShock 2: Minerva’s Den, BioShock™ Remastered, BioShock™ 2 Remastered, BioShock 2: Minerva's Den Remastered
Chivalry: Medieval Warfare Cogs
COH 2 - The Western Front Armies (Double Pack) - Multiplayer Standalone CoH 2 - The Western Front Armies: Oberkommando West, COH 2 - The Western Front Armies: US Forces
Company of Heroes Company of Heroes, Company of Heroes - Legacy Edition
Crysis Warhead®
The Darkness II Warhammer 40,000: Dawn of War II - Retribution - Chaos Sorcerer Wargear DLC Warhammer 40,000: Dawn of War II - Retribution - Farseer Wargear DLC Warhammer 40,000: Dawn of War II - Retribution - Hive Tyrant Wargear DLC Warhammer 40,000: Dawn of War II - Retribution - Lord General Wargear DLC Warhammer 40,000: Dawn of War II - Retribution - The Last Stand Tau Commander Warhammer 40,000: Dawn of War II - Retribution - Mekboy Wargear DLC Warhammer 40,000: Dawn of War II: Retribution - Captain Wargear DLC Dawn of War II: Retribution – The Last Stand
Unknown package 12374 =Dead Island: Bloodbath Unknown package 27190 =Dead Island Riptide
Dead Island: Epidemic Beta Gift Dead Island: Epidemic
Unknown package 27281= Dead Island Riptide - Fashion Victim DLC
Deadlight
Unknown package 14708 =Dear Esther, Dear Esther: Landmark Edition Unknown package 11984 =Deus Ex: Human Revolution - The Missing Link
Faerie Solitaire
Galactic Civilizations I and II Pack Galactic Civilizations® I: Ultimate Edition, Galactic Civilizations® II: Ultimate Edition
Hitman: Absolution™ Galactic Civilizations® II: Ultimate Edition Hitman: Blood Money Worms Crazy Golf I Am Alive Lara Croft and the Guardian of Light Lucius Lucid Lucius II Just Cause 2 Just Cause 2 - Black Market Boom Pack DLC Just Cause 2: Agency Hovercraft Just Cause 2: Bull's Eye Assault Rifle Just Cause 2: Chevalier Classic Just Cause 2: Monster Truck DLC Just Cause 2: Rico's Signature Gun DLC Just Cause 2: Black Market Aerial Pack DLC Lara Croft GoL: All the Trappings - Challenge Pack 1 Lara Croft GoL: Hazardous Reunion - Challenge Pack 3 Lara Croft GoL: Raziel and Kain Character Pack Lara Croft GoL: Things that Go Boom - Challenge Pack 2 Max Payne 3 Max Payne 3: Cemetery Map Max Payne 3: Deadly Force Burst Max Payne 3: Pill Bottle Item Max Payne 3: Classic Max Payne Character Max Payne 3: Silent Killer Loadout Pack Max Payne 3: Special Edition Pack METAL SLUG 3 Metro: Last Light - Ranger Mode Metro: Last Light - RPK Miner Wars 2081 The Elder Scrolls III: Morrowind® Game of the Year Edition Nuclear Dawn Operation Flashpoint: Dragon Rising Organ Trail: Director's Cut RAGE Red Orchestra 2: Heroes of Stalingrad with Rising Storm Remember Me Resident Evil Revelations 2 Resident Evil 5 Resident Evil: Revelations Enhancement Set Resident Evil: Revelations Rachael Ooze DLC Resident Evil: Revelations Lady HUNK DLC Resident Evil: Revelations Resistance Set Resident Evil: Revelations Jessica's G18 + Custom Part: Road Redemption Saints Row IV - College Daze Pack Saints Row IV: Commander-In-Chief Pack Saints Row: The Third Saints Row: The Third Season Pass DLC Pack Saints Row: The Third - Special Ops Vehicle Pack Street Fighter X Tekken: Street Fighter Boost Gem Pack 1 Shadow Warrior Shadow Warrior: Special Edition Upgrade Silent Hill Homecoming Sleeping Dogs: Drunken Fist Pack Sleeping Dogs: Police Protection Pack Sniper Elite V2 Sins of a Solar Empire®: Rebellion Sniper: Ghost Warrior 2 Collector's Edition Sonic Adventure 2 Spec Ops: The Line S.T.A.L.K.E.R.: Shadow of Chernobyl STAR WARS™: The Force Unleashed™ II Super Meat Boy Supreme Commander 2 Supreme Commander 2: Infinite War Battle Pack Zombie Driver HD
Unmechanical Tryst Tropico 5 4-Pack Gift Pre-Order Trine Enchanted Edition Torchlight II Unknown package 18579 Tony Hawk's Pro Skater HD - Revert Pack Survivalist The Witcher 2: Assassins of Kings Enhanced Edition Thirty Flights of Loving Tomb Raider: Anniversary The LEGO® Movie - Videogame Thief Tomb Raider: Legend Tomb Raider: Underworld Thief DLC: Booster Bundle THIEF DLC: The Forsaken - Challenge Map
Unknown package 15351= ncludes 15 items: Warhammer 40,000: Space Marine - Anniversary Edition, Warhammer 40,000: Space Marine - Emperor’s Elite Pack, Warhammer 40,000: Space Marine - Traitor Legions Pack, Warhammer 40,000: Space Marine - Golden Relic Bolter, Warhammer 40,000: Space Marine - Golden Relic Chainsword, Warhammer 40,000: Space Marine - Power Sword, Warhammer 40,000: Space Marine - Chaos Unleashed Map Pack, Warhammer 40,000: Space Marine - Dreadnought DLC, Warhammer 40,000: Space Marine - Legion of the Damned Armour Set, Warhammer 40,000: Space Marine - Alpha Legion Champion Armour Set, Warhammer 40,000: Space Marine - Blood Angels Veteran Armour Set, Warhammer 40,000: Space Marine - Salamanders Veteran Armour Set, Warhammer 40,000: Space Marine - Iron Hands Chapter Pack DLC, Warhammer 40,000: Space Marine - Death Guard Champion Chapter Pack DLC, Warhammer 40,000: Space Marine Soundtrack
submitted by
GamerGirl_89 to
GameTrade [link] [comments]
2023.06.10 17:29 georgistmemes Ideal holiday gift (for myself)
2023.06.10 17:26 Sit_Paint_and_play Son brought me this minitin, if you peel off the back label there's a full art on the back
2023.06.10 17:21 busylittlelife Stila; one step corrector
2023.06.10 17:07 Clearwish Alright, anyone know anything about This apartment? (part 2) Same deal, rent is cheap...
submitted by
Clearwish to
windsorontario [link] [comments]
2023.06.10 16:30 khoafraelich789 Off-Road Comparison: Ford Bronco Sasquatch vs Jeep Wrangler Rubicon Xtreme Recon
| Jeep and Ford take different approaches to 35" off-road packages, each with specific strengths. https://preview.redd.it/7osf1yj5ad3b1.png?width=1200&format=png&auto=webp&s=2af5f7f65a9ad46e024396fa1fe0cf966ec22533 Elle Alder: Jeepers creepers, look at that Bronco! We’ve got a mightily rubbered matchup today, mates. Before us are the Ford Bronco Badlands Sasquatch and the Jeep Wrangler Rubicon Xtreme Recon 392. Riding 35” tires, big suspension, and uhh, ‘comparable power,’ these off-roaders represent quite nearly the most capable of their breed. Clayton Seams: Nearly, but we are short one carnivore: the Ford Bronco Raptor. The muscled-up Braptor was not available to pair up with the Wrangler 392, so we’re making do with the still-incredibly capable Ford Bronco Badlands Sasquatch. The ‘Squatch can’t match the big Raptor for high-speed off-roading or acceleration, but it’s a closer rival to the Jeep Rubicon — or it would be, were it not for the badge on the Jeep’s hood that says “392”. Those three little numbers make a very big difference. EA: Very big. Converted from cubic inches, the big Jeep’s V8 measures 6.4 litres displacement. It’s straight off-road muscle, but fortunately for Ford, this comparison is really about the platforms beneath. The arrival of the new Bronco has unquestionably challenged Jeep’s trailhead throne, and the big question is how the two match up on road and trail. Assessed as equals, these rigs offer similar but distinct skill sets at a similar price point. The V6-equipped 2023 Ford Bronco Sasquatch comes in from $72,189 with destination, or $74,289 as tested. A V6-powered 2023 Jeep Wrangler Rubicon Xtreme Recon arrives from $67,480, from $78,495 configured with the good stuff, or a mighty $116,890 for the tested 392 V8 with one-touch power top and all of the goodies. CS: Mechanically, the largest difference between the two is the front suspension. Jeep famously hangs a solid front axle under the front of every Wrangler and Gladiator, while the Bronco uses an independent front suspension setup. Out back, both use burly live axles and coil springs. Both of these are real 4x4s built largely in the traditional way with body-on-frame construction, two-speed transfer cases, and are specced up with huge 35” tall tires. Underhood, the Bronco can be specced with a turbocharged 2.3-litre inline-four (the one to have), a 2.7-litre twin-turbo V6 like our tester, or the top-dog 3.0-litre twin-turbo V6 that you only get in the Raptor version. EA: Jeep’s modern reputation was built on six naturally aspirated cylinders, and the available 3.6-litre Pentastar V6 — by no means a powerhouse — is plenty of power for the platform. Its 285 hp and 260 lb-ft bounce and crawl with a reputation for reliability and serviceability, making it an entirely respectable path. Standard today is a 2.0-litre turbo-four producing 270 hp and 295 lb-ft, an efficient commuter for the lifestyle crowd but perhaps not to the tastes of NA traditionalists. Manual transmissions are available in some Wrangler trims, but don’t expect to see many of them amid the usual ZF eight-speed automatic configurations. The 6.4-litre in the Wrangler 392 is the naturally aspirated gasoline powerplant seen in the Ram 2500 and Dodge Scat Packs, tuned here to deliver 470 horsepower and 470 pound-feet of torque. It’s a fun option with a silly sound and an expensive gasoline habit — and also entirely overkill. Accelerating in 4.5 seconds on solid axles and wobbly sidewalls is a skittery affair. Ford Canada hasn’t dared make any Bronco Raptors available for comparison with the 392, so in the interest of fairness we’ll overlook the Jeep’s obvious power advantage and treat it as a Rubicon Xtreme Recon — a comparatively priced suspension and goodie package available with everything you see here, less the 470-horsepower V8. CS: While you’re commanding that muscle-car V8 through the trails, you’re sitting in a 2023 cockpit like no other. The exposed door hinges mean the doors swing freely with no stops to easily keep them from hitting cars next to you. There’s more visible painted steel in this interior than a 1985 Toyota Starlet, and the windshield appears almost vertical in front of you. Sure it has Stellantis’s latest uConnect touchscreen system, Alpine premium nine-speaker audio, and heated front seats complete with fetching Rubicon embroidery. But even when compared to the equally rugged Bronco, the Wrangler interior feels like a throwback to an earlier time. The cabin is noticeably narrower than the Bronco, the dash is more vertical, and it still knocks your ankle with its long door harness. It is certainly a Jeep. Conversely, the Bronco interior manages all of the rugged off-road looks and sacrifices nothing in practicality over a ‘normal’ SUV on the inside. The cabin feels more modern, the touchscreen is much larger than that in the Jeep, and the quality of materials throughout the cabin is superior to the Jeep’s. Despite costing as much as a luxury sedan, both of these SUVs have rubber floors — not carpet — for easier washing after a muddy day on the trails. One gripe would be that the chunky grab handle is located on the dash and not higher on the A-pillar. This makes it easier for passengers to grab during “oh heck” moments, but less helpful for shorter people using it to hoist themselves into the cabin. EA: Fording is a loss for the Bronco. Ford says that the Sasquatch is good for the same 85-cm (33.5 in.) water crossings that the Jeep is rated for, but that V6 engine leaves its alternator low and vulnerable to rushing water. The Wrangler, meanwhile, mounts its alternators up high and clear of water, and an optional water-diverting intake provides further protection from overenthusiastic gulps — albeit at the compromise of a seriously hefty hood. That weight shouldn’t be surprising, however, for nothing about either of these rigs is in any way light. Exact figures vary depending on configuration, but equipped with V6s, the Bronco Sasquatch curbs around 5,100 lbs; the Wrangler Xtreme Recon at ~5,200 lbs. Similar as these curb weights are, the two SUVs carry their weight very differently. The Bronco’s independent front and overall construction feel lighter, whereas the unsprung mass of the Jeep’s solid Dana 210 front axle (an electronically modernized 44 variant) renders a more precarious highway drive and more heaving sensations on the trails. With that handling shortcoming comes confidence in durability, however, and I’d certainly rather have the option of running that solid axle up a log for a backwoods wheel swap than wince at the mercy of a mud-footed jack under the Bronco. Such weight doesn’t assure invulnerability, however. While both the Sasquatch and Xtreme Recon packages equip these SUVs with underbody shielding in vulnerable areas, it does leave a little to be desired. Hesitant gut impressions of the Bronco’s under-sump shielding and the Jeep’s fuel-tank cladding will hold most stock drivers to the side of caution. CS: But to get to those trails where fording depth, breakover angle, and tire height matter, you probably have to commute there on pavement. And in that asphalt environment where these vehicles will spend easily 90 per cent of their time, these SUVs are severely out of their element. To be fair, the 392 Wrangler is the first Wrangler that’s ever been fun to drive on the street, thanks specifically to its outrageous muscle-car power and NASCAR soundtrack. But the Wrangler is sketchy to drive at speeds in a way that no other modern ‘car’ is. Those huge meats and solid front axle make for a decidedly wobbly experience on pavement, and drivers must constantly steer a Jeep in its lane on the highway to keep it pointed between the lines. Wind noise is strong at speed, though it faces competition from the droning mud tires and the 392’s dual-exit exhaust. On the plus side, the steering wheel turns easily even with those massive tires, and the ride is cushy-smooth across rough pavement because, of course it is. And that’s before we talk about the fuel economy which is good only when compared to a TRX. Even with gentle driving, you can expect to average around 14 L/100 km at best, and you won’t get that number without a tailwind and some luck. Compared to the Jeep, the Bronco is a serene experience much in the way that skydiving would feel calm after going over Niagara Falls in a barrel. The independent front suspension allows the Bronco to do novel things like track straight down a highway lane. Although the exhaust is markedly more subdued (granted, the V6 Wrangler is similarly tame), the Bronco’s seats are not as comfy as the Wrangler’s and the ride is a bit harsher over highway bumps. That said, I vastly prefer the Bronco’s stereo, and if I had to take one of these on a road trip, I’d choose the Bronco. EA: As a single vehicle to live with every day, I must reluctantly agree that the Ford takes it. The Bronco is significantly more ‘car’ than the Jeep, and carries itself along the commute with far shinier technological comforts as well. Nicely appointed and priced to compete directly with the Wrango-dango, it’s simply a better truck for the roads of today. Still, neither vehicle should be looked to as a commuter. These trucks are large, inefficient, and costly toys better suited to a multi-vehicle family. Relegated to a secondary role for off-road play days, the Jeep is doubtless the hardier, more trustworthy, more capable, and more customizable rig. The Bronco makes trails more accessible, but it’s no old-fashioned, hard-knockin’ Wrangler. Source: driving ca submitted by khoafraelich789 to CarInformationNews [link] [comments] |
2023.06.10 16:30 Glittering_Win9481 Any analyst here? so she isn't the sole owner?
2023.06.10 15:41 StJiub- Mass Sightings in History, Important Events That Support One Another
| 1561 celestial phenomenon over Nuremberg https://preview.redd.it/6jexhofid65b1.png?width=800&format=png&auto=webp&s=416e193d80226d03186c6b65cf413216cb201466 In the morning of April 14, 1561, at daybreak, between 4 and 5 a.m., a dreadful apparition occurred on the sun, and then this was seen in Nuremberg in the city, before the gates and in the country – by many men and women. At first there appeared in the middle of the sun two blood-red semi-circular arcs, just like the moon in its last quarter. And in the sun, above and below and on both sides, the color was blood, there stood a round ball of partly dull, partly black ferrous color. Likewise there stood on both sides and as a torus about the sun such blood-red ones and other balls in large number, about three in a line and four in a square, also some alone. In between these globes there were visible a few blood-red crosses, between which there were blood-red strips, becoming thicker to the rear and in the front malleable like the rods of reed-grass, which were intermingled, among them two big rods, one on the right, the other to the left, and within the small and big rods there were three, also four and more globes. These all started to fight among themselves, so that the globes, which were first in the sun, flew out to the ones standing on both sides, thereafter, the globes standing outside the sun, in the small and large rods, flew into the sun. Besides the globes flew back and forth among themselves and fought vehemently with each other for over an hour. And when the conflict in and again out of the sun was most intense, they became fatigued to such an extent that they all, as said above, fell from the sun down upon the earth 'as if they all burned' and they then wasted away on the earth with immense smoke. After all this there was something like a black spear, very long and thick, sighted; the shaft pointed to the east, the point pointed west. Whatever such signs mean, God alone knows. Although we have seen, shortly one after another, many kinds of signs on the heaven, which are sent to us by the almighty God, to bring us to repentance, we still are, unfortunately, so ungrateful that we despise such high signs and miracles of God. Or we speak of them with ridicule and discard them to the wind, in order that God may send us a frightening punishment on account of our ungratefulness. After all, the God-fearing will by no means discard these signs, but will take it to heart as a warning of their merciful Father in heaven, will mend their lives and faithfully beg God, that He may avert His wrath, including the well-deserved punishment, on us, so that we may temporarily here and perpetually there, live as his children. For it, may God grant us his help, Amen. By Hanns Glaser, letter-painter of Nurnberg -Translation https://preview.redd.it/yavhm537m65b1.png?width=220&format=png&auto=webp&s=4d4adf050f8c0be8b02b287dff8f08e7bd29f648 It happened in 1566 three times, on 27 and 28 of July, and on August 7, against the sunrise and sunset; we saw strange shapes in the sky above Basel. During the year 1566, on the 27th of July, after the sun had shone warm on the clear, bright skies, and then around 9 pm, it suddenly took a different shape and color. First, the sun lost all its radiance and luster, and it was no bigger than the full moon, and finally it seemed to weep tears of blood and the air behind him went dark. And he was seen by all the people of the city and countryside. In much the same way also the moon, which has already been almost full and has shone through the night, assuming an almost blood-red color in the sky. The next day, Sunday, the sun rose at about six o'clock and slept with the same appearance it had when it was lying before. He lit the houses, streets and around as if everything was blood-red and fiery. At the dawn of August 7, we saw large black spheres coming and going with great speed and precipitation before the sun and chattered as if they led a fight. Many of them were fiery red and, soon crumbled and then extinguished. -Translation https://preview.redd.it/6uvg56vup65b1.png?width=296&format=png&auto=webp&s=0cf3e2183d3d29f4dbe9c7c10c5f327f6d182848 Wiki description - Soon, the object with the embedded lights appeared to be moving toward them, about 100 to 150 feet (30 to 46 m) above them, traveling so slowly that it gave the appearance of a silent hovering object, which seemed to pass over their heads and went through a V opening in the peaks of the mountain range towards Piestewa Peak Mountain and toward the direction of Phoenix Sky Harbor International Airport. Between 8:30 and 8:45 pm, witnesses in Glendale, a suburb northwest of Phoenix, saw the light formation pass overhead at an altitude high enough to become obscured by the thin clouds. Amateur astronomer Mitch Stanley in Scottsdale, Arizona, also observed the high altitude lights "flying in formation" through a telescope. According to Stanley, they were quite clearly individual airplanes. Approximately 10:00 pm that same evening, a large number of people in the Phoenix area reported seeing "a row of brilliant lights hovering in the sky, or slowly falling". A number of photographs and videos were taken, prompting author Robert Sheaffer to describe it as "perhaps the most widely witnessed UFO event in history". (Further Details can be found in Out of the blue by James Fox) https://preview.redd.it/79oz6vb3r65b1.png?width=783&format=png&auto=webp&s=0ef42e35dbe9a7feb1a861c0ab71d95276c2ab6f https://www.youtube.com/watch?v=MmBniAE4y8E&t=444s Mage Encounter, A mass UFO sighting in this case it seems to be "red fireballs" in the sky as backed up by the earlier Nuremburg, The video that accompanies is a great example of Human forces possibly "defending" airspace from unknown UAP's, this event was sighted by the entire town who was there to witness, in the video you can clearly see and hear artillery fire. There are so many different sources for the incident its hard to refute that this didn't happen. The maker of the video claims that all the info was scrubbed of the internet as fast as possible, and with the degree of clarity we find in some of the videos i honestly believe it is a strong possibility. This is a video i would honestly recommend to anyone due to the multitude of camera footage and sources by people who simply had nothing to gain from it. (yes the guy looks like david bowie in the thumbnail for the video, i dont know why he chose that...) So while there are other sightings by a mass of people i.e Varghina and other single UAP sightings, these stand out. Why? because from the basic information we are given by the early accounts Seem to coroberate with later accounts concerning the same shapes and objects. Yes there are others that fit the description, and if someone wants to add some more info then feel free. But from a historian perspective, we have extremely detailed accounts in all four of these cases where a mass of people saw the same thing, and these stories even though from over half a milennia seem to have a specific connection. - Mass sighting, plenty of references, in a public place. The fact that these are documented in such a fashion tells us that there must have been reputable sources to draw from, even early accounts have had a lot of reasearch through word of mouth, people in this age still cared about the validity of their statements.
- In the Mage event and the nuremburg event there is a clear indication of combat. The Nuremburg phenomenon is explicitly unique in this manner, the idea of two forces from the heavens fighting is a very key part of information that should be taken into account with the current whistleblower claims, the idea of opposing UAP motives suggest that there are alteast two seperate factions at play here, and they are most likely not homogenous in that regard. The Mage incident seems to point toward Humans trying to destroy UAP's the fact that there is no direct massive retaliation on a larger scale suggests interesting insinuations. do they not care about their downed craft? AI, or an intermediatery buffer?
- Very loose "scientific" reasons on why they happened, which from a realist point of view seems unlikely, i.e flares (why would a multitude of people be simply wrong).
- The idea of mass fear from the unknown. Every UAP event that is witnessed seems to activate the fight or flight process ingrained within humans, something that cannot simply be explained with the current knowledge. The old sources just suggest wrath from the heavens, and punishment for various issues that wouldnt be considered by the church to be virtues.
These four examples line up, it is very difficult to cover up something that was recorded 500 years ago, while modern events are a lot easier. If we can accept that some sort of phenomena has occured within these last 500 years, then surely we can look further back into history and look for some indicators of a previous event, which could be considered fringe by some, but may have some very realistic implications into the length that this has been occuring. https://preview.redd.it/yps8ecedy65b1.png?width=614&format=png&auto=webp&s=0f6ad583de8cc20ca40c547da53429cbc97f8431 In the Varaha kalpa, twelve battles between the devas and the asuras are described in the Brahmanda Purana. If anyone has watched ancient aliens then this may have come up a few times, while i dont agree with most of the fringe concepts posited some of the core thinking is correct in my opnion. https://preview.redd.it/01o6ypg9z65b1.png?width=280&format=png&auto=webp&s=df80a948ff7370ca9456139163e4f19dc3ec6716 The war in heaven, contained within the bible in the book of relevations. Satan and his angels rebelled against God in heaven, and proudly presumed to try their strength with his. And when God, by his almighty power, overcame the strength of Satan, and sent him like lightning from heaven to hell with all his army. https://preview.redd.it/fnk1isf9075b1.png?width=900&format=png&auto=webp&s=5dfa9e287dceee07e7be208a2d061425f8d59a91 In Greek mythology the battle of the titans and the gods occurs in the sky. This is how the great Titanomachy began, the war between the Titans and the Gods, with Zeus as their leader. This titanic battle lasted for ten years. The gods defeated the Titans and threw them into Tartarus, a dark and gloomy place as far from the earth as earth is from the sky. Then the gods fought with the Giants for the dominance of the world. The Gigantomachy lasted a long time as well. But the gods were again victorious. Thus, Zeus became the ruler of the whole world and he and the other gods settled in Olympus. If we can interpret the first four cases as being linked due to similarities, then it wouldn't be too far fetched to assume that these earlier encounters may have been the same as the nuremburg phenomenon, a way to explain in current human terms a possible battle in the heavens. Is this irrefutable proof? No. Are these coincidentally similar? Yes. The idea of multiple forces battling for dominance is an interesting concept. Has there been a galactic turf war that has led to one side attaining control over our solar system? As unevolved beings with crude technologies and language (compared to an extremley advanced race) could we understand the signs? As much as Ancient Aliens rubs me the wrong way, this is an interesting point that is made and is backed up outside of their own narrative. And i believe that if UAP's have been here for a long time, they may have been scrawled into various historical documents as religious phenomena. Tell me what you think. submitted by StJiub- to UFOs [link] [comments] |
2023.06.10 15:38 wrapityup Took off from San Jose, California, US, at approx. 11:58 pm PT, 2023-06-09, landed in Austin, Texas. Flight time ~ 2 hours : 47 minutes
2023.06.10 15:27 Mindless_Anxiety_977 Metro Map for my Fictional City Lorinsburg. This is my first proper attempt to make a fantasy map, hope you enjoy.
2023.06.10 14:23 TepidShark Available films (that I can easily find online) from the last three Buster Keaton episodes' box office games.
I did this for the first two episodes of Podcast Jr. (
Three Ages/Our Hospitality,
Sherlock Jr./The Navigator) but haven't been able to do this until because I was on vacation in Europe and it was too difficult to try to work on this without my laptop. Among other things, I couldn't figure out how to include links in text when using the Reddit apps for Tablet & Phone. Anyway, this should get things up to date before the last episode of the miniseries comes out.
- Seven Chances/Go West
- Battling ButleThe General
- College/Steamboat Bill, Jr.
submitted by
TepidShark to
blankies [link] [comments]
2023.06.10 13:47 Erwinblackthorn The 4 Types of Writers: A Followup to the "Woke Test"
A while ago, I posted a test that was to determine what kind of writer someone is, based on what part of the “modernist” spectrum they fall into. Part of the reason why I did this was to see how much I understand about the subject matter, since I will always have a postmodernist tell me that I am clueless as to what any of these are. Another reason is to have writers start realizing why they think the way they do, and possibly start questioning why they write how they do. I found out that, from the dozen or so people who took the test and posted their results to me, that most people I encounter and get along with online are modernist. A lot of these people reject mainstream media and they are secluded in alternative media sites because they don’t get along with the current overton window that’s among popular sites. I think it’s safe to say a lot, if not all, of these people are anti-woke, and they received 1 or 0 answers on the woke aspect of the test.
If I can pat myself on the back for anything, at least I can say I got the woke part correct.
Although the buzzwords I used for woke might be cheating since we all know I’m referring to something woke when I say something like “inclusivity” or “intersectionality” or “oppression”, because anyone who listens to even something like Joe Rogan will know these terms and treat them like they’re dripping with vomit and diarrhea. A lot of us, especially the classical liberal, center to center-right types, and even the center-left types, are tired of this woke nonsense. Even some guy who drinks beer while watching football and shopping at a basic store like Target is tired of this tomfoolery.
So this followup is to address a lot of the complaints I received and also to bring in some insight into how I wanted to conceptualize the test and how it turned out. I will also explain the relevancy of this type of test since some are wondering why something like scoring modernist means anything.
In philosophy, you are to hit 5 branches in order for your philosophy to be considered “full” or at least “full enough” to be granted a name. These 5 are:
- Metaphysics (study of existence)
- Epistemology (study of knowledge)
- Ethics (study of action)
- Politics (study of force)
- Aesthetics (study of art)
If you hit all 5 of these at least once, you have a full range of addressing the stuff that makes up a philosophy. I tried to reverse engineer these 5 categories into 22 questions, and after the fact(meaning this evening), I realized that I should have had 4 questions for each category and then 2 questions about the reader and then the writer. The number 22 is related to the major arcana in tarot, with the 2 extras being the fool(the writer) and the world(the reader). That or maybe something like “what exactly do you write in your story?” and then that can relate to worldbuilding or something. It would have to be a question that lets us know what the person sees as a good world to write in the first place, because then that would show us the world they aim for, which is related to their worldview.
Or maybe to question what they read so that we can see what a writer finds interest in, so that it correlates with what they would write.
That was not critiqued by others, but I know I messed up on that. I was listening to a Jordan Peterson video where he said that a good survey questionnaire takes months of planning to get the wording right for the questions and the answers, and I looked at my test and saw I did it in a day, and went “well, I think I messed up, yeah.” My own critique will be taken into consideration so that I can remake the test and make it better. To repeat what I said in the test: I wish to use this to determine who to avoid when hiring and working with people, because anyone scoring even something like 2 answers on the woke mentality is something to be concerned about.
Other critique involves question 1 where the phrase “copy it” should be changed to “emulate it”. Yeah, I agree, that makes more sense, since copy makes it sound like someone is not putting their own spin on it or putting it in their own words. Imitate, match, resemble, something that intends to retain the purpose but including your own position on the matter. Question 17, how we get our knowledge, is a very open question about epistemology, and that one seems to have given a few people the woke answer by accident, even if they aren’t woke in the way they answer. The problem with the term “lived experience” is that people think it’s a normal term and it is one of the few woke terms that go over some people’s heads. The term is used commonly in correspondence with articles that feature globohomo artwork and they talk about how it’s important to have a person in your corporation or non-profit organization who holds “lived experience” and they are referring to living as a black person to know what a black person feels.
I find this incredibly woke because, as I’ll explain further later on, the woke are saying that the only way to know something is to be that thing, thus forcing writers to be, say, autistic in order to write an autistic character. Or they must be a woman to write a woman. Or they must be a black to write a black. This enforcement is what causes the demand for diversity hires, because somehow these diversity hires hold mystical magical knowledge that nobody else in the company would even dare to understand or comprehend unless they checked off some boxes first. On top of that, the term “pragmatic action” was poor wording and that’s my bad. I was trying to say something like “scientific realization” in order to attach the modernist to science. Something that is both pragmatic(able to be done practically) and part of some kind of education/training. You’ve done it, you’ve learned about it, you see others do it, that can be the modernist idea of knowledge.
Other than those two, I think every other question went over rather well, but I will still enhance them to be worded better as time goes on and as I revisit it with more of an organized “5 sets of 4 and the 2 big ‘uns” in mind. But then there comes the elephant in the room. The scoundrel who dared to question my authority and make a critique about the test. How dare they and stuff.
Jokes aside, I really like this kind of critique and it’s great that she put it into clear questions that I can firmly address. I like it when people are clear. It’s much better than that obfuscation thing the postmodernists always do when they complain about me without really having a reason other than something where they don’t like labels or they were offended that I dared to mention any category of anything. Page Zaplendam, a fellow writer, brought up 3 important questions which you can see for yourself
here:
- Where are the definitions of the terms?
- How do you justify reducing things to something like woke?
- How do you prevent people from rejecting pre-modernism?
I’ll address the first one to then follow through with the rest of the answers, because they all go in a long chain of “why, why, why” and “how, how, how”.
To begin the explanation, we’re going to need to establish what modernism is so that the others can be explained. It’s the word that created the reason we see a difference in aesthetics like this because this was the moment we engaged in what’s called the enlightenment. During the early 17th century and around that time, people started to remove their dependency on kingdoms and instead create nations and industry. Religion was also being questioned because scientific advancements through record keeping allows people to give better assessments on what causes something to happen in the world. The view of the world started to become more natural and so naturalism was common, as well as rationalism and empiricism. People were using logic to make their decisions and data to come to conclusions, rather than faith or scripture from prior.
During this time, the modern age, traditions were tarnished and deemed as unnecessary. Medicine allowed people to praise science instead of pray for a mystical cure. Predictions of weather with meteorology allowed people to reduce famines and starvation. Printing presses allowed books to become more common, machinery allowed more production of goods, and life went from depending on neighbors to depending on communities and global trade. This dramatic change in both lifestyle and mentality allowed art to enter the modernist art era, which is determined as art that experiments to search for new meaning and objectivity without the necessity of a deity, tradition, or the supernatural.
Mythology became psychology, alchemy became academia, and religion became fandom. Everything mentally changed under modernism to create an environment of experimentation, the romances took over, which led to the pulp adventures and existentialist works of things like noir. Weird tales brought us ideas of cosmicism, thanks to the lack of god or at least the lack of a god who cares about humanity. With this freedom from religion, the mostly liberal environment of modernism allowed people to make up their own rules, their own ideas of what’s real, and thus we were able to focus more on the individual, rather than the collective. Stephen Hicks has a great video where he lectures about how modernism came to be and what it is, but I can simplify it into the 5 categories he has on his chart.
Metaphysics: naturalism
Epistemology: empiricism and reason
Human Nature: Tabula Rasa(everything mental is gained from experience)
Ethics: individualism
politics/economics: liberal capitalism
As you can see, modernism caused this reliance on the self, but also reliance on science as a replacement for religion. It caused the worship of money, while also opening people up to other ideas thanks to the liberal mindset. The liberty to engage with other things allowed people to mingle with both good and bad ideas. This is actually why people, like James Lindsay, say that liberals caused things like Nazism and Communism to come into fruition, because the liberal is so open and accepting that they allow terrible ideas to take over the top of the social structure and they think it won’t touch them if they are on the bottom. This is also how dictators were able to trick people into treating them like a God, because the dictator convinced people that they were able to answer prayers and did this during their campaigns to get elected or during the revolution while they’re beheading their opponents in the streets.
In other words, the uprising of democracy had people rely on voting in the same way as people relied on prayers, but here it’s where we pray to a natural government and hope they do something we want.
One thing that we don’t like to realize is that colonization occurred because of a scientific superiority among the Europeans, and this scientific advancement was caused by years of wars and immense dedication to their royalty. Then there were areas they colonized that had a crazy amount of gold, such as Australia and the Aztec empire, and this abundance of gold allowed trade to skyrocket, while Indian trade and the silk road allowed wealth to spread across the globe. Diamonds and gold found in Africa, like a sick joke from God to force white people to go to such a hellhole to get the diamonds in the rough. It’s not that white people wanted to go around and rule the world. It’s that enlightened explorers and merchants wanted to make a crazy amount of money and these environments were inhabited by people who left these literal gold mines untapped, and these explorers used technology to take over.
No wonder modernism was full of that toga wearing utopia sci-fi stuff!
It’s not hard to realize why the Europeans took over entire empires with small groups of conquistadors. They had armor, guns, ships with cannons. Those Chinese must have their face red realizing they are the ones who sold them black powder. Every alchemist should feel bad and stuff that they are the reason guns were used versus the people who didn’t have guns. It was such a destructive force to use guns against savage tribes and kingdoms because it was both physical and psychological. It was like dealing with metallic robots who fired lightning from their arms and filled the area with a concealing smoke. That’s like showing a caveman a cellphone, their brains instantly melt trying to comprehend what’s going on.
So people are angry at the modernists for being… rational and empirical, and I guess being urbanized or industrialized. People are mad at capitalism for being effective and a good way to globally get along. They’re mad at liberals for being okay with race mixing. The utter nerve of such horrid actions. How dare people mix. I’ll make sure to tell my own future mixed kids that they should be ashamed of themselves for having parents who came from different parts of the Earth and that’s about it.
So modernism, do I like it?
Well, it’s not bad. A lot of my favorite stuff is modernist and usually when people say they want to go back to the old days, they point at modernism as the example. Hell, a lot of postmodernists now are saying they want to go back to modernism, and then they say they don’t, because they feel like it's superior, but they hate the idea of accepting that it’s modernist. I mean, that’s why it’s called postmodernism, it’s the thing after modernism is gone, it’s the rejection of modernism and also pre-modernism. But more on that one later.
I noticed a lot of people got mostly modernist as their answers on the test and it makes sense. Many people online, especially on alternative social media, will be actual liberals who are open to different ideas, which allows them to engage with things that both offend them and possibly something they see as evil. They’re open to having their minds changed and they are always willing to learn more because there’s a big idea on learning more and experimenting, which is something I can relate to because I’m always trying out new restaurants in my area and I don’t mind trying a genre that I’m not familiar with. For me, I have a bit of that liberal mindset because I try out a lot of things I’m not familiar with and I end up liking some stuff, but I usually stick to what I established as my firm ideas from prior.
For example, when I was a kid I hated eating beans and I refused to eat fish that wasn’t canned tuna. Now, after being more open, I love salmon and I love eating beans, which dramatically helped my nutritional intake. There is a healthiness involved with experimenting and there is also a risk factor. But if you know how to avoid dangers, I don’t see a problem with trying out something like a new genre you’re not used to, just to see if you can get into it.
I mention this because the modernist writer will experiment, but will also claim a truth that comes from rationalism, which assumes the world we live in is logical. Even if it’s chaotic and absurd, they’ll say it’s logical, because it’s predictable and we can interact with it. This allows their writing to hold to formulas through things like pulp, while also experimenting through things like weird fiction. There is repetition that happens, and this is why genres became a big thing, so the reader can tell what form of repetition they want to deal with through what they are familiar with. This caused what’s called a comfort zone, which is the state of mind where a person feels at ease because there is an abundance of familiarity and a lack of unwanted challenges. Genres create these comfort zones, and this is then where we have to talk about individualism.
Liberalism has the problem of causing individualism to slowly become sophistry and egotism. The person declaring they are the one who is to be relied on and they are the ones who make up their own rules becomes a person who can’t tell who they’re obeying. Especially if that person puts something above themselves, like race, or science, or nation, or the opinions of others through democracy. Thanks to romanticism during this modernist time, we were able to feel like we had an abundance of freedom and capability, but then barely a century later the rise of Naizsm and Communism caused people to realize that this capability is in relation to what the shadow is capable of. The darkest, most disturbing and destructive actions a person is capable of, beyond their imagination and beyond what we’d consider a “human act”.
This quick change into the most dangerous entity nearby is why I don’t trust anarchists when they say their utopia would be functional. When it comes to real life, that doesn’t work, we need a more powerful overarching thing to keep that shadow in check, and we need that entity above the human to be in check of its own shadow on top of that. And this shadow is also what causes the modernist to engage with things like dada and a hatred of art to the point where they can say the work is for them and them alone, or that all art is equal, down to where a turd on a pedestal is the same as the Mona Lisa.
The pro of modernism is a focus on the individual, which promotes movements like poetic realism and neorealism, which grants a look into everyday lives. The mundane can be put into the forefront and average people can feel like they relate, which allows the average person to buy the work. That is a great plus, and it’s why the most popular shows out there are stuff that involves soap opera style drama and an environment that is simple, like a hospital or a police station. The sitcom is a result of modernism, because only a modernist would find value in seeing a family hang around their house while you’re sitting in your house with your family watching someone else in their house with their family.
Now let’s get on with pre-modernism, after all of that introduction is said and done. Pre-modernism is everything that came before this enlightenment and this separation from God. Atheists like to say how atheism has been popular forever and they have simply been suppressed, but something crazy that they ignore is that every civilization, without ever talking to each other, before any contact with anyone else, became a religious, spiritual, civilization. We even have a name for this basic religion, called animism. This natural desire to be religious in humans comes from how we think when we are young, as well as how we think when we are not relying on science or even words.
I know this sounds strange but we think more in pictures and visions than we do with words when we don’t know how to read. Reading unlocks a vast amount of knowledge that can be gained practically instantly, but a lack of language in our ability to think causes an abundance of symbolism in our head to fill in the gaps, meaning the ability to read locks away this visual aspect. When we’re babies, we view everything as giant, threatening, and frightening. And why not? We’re this tiny soft thing that has a skull that can easily be dented and we’re unable to feed ourselves. We need someone to throw food into our mouths like bananas into the mouth of a hippo at a zoo. We have our parents doing stuff for us, and so our brain right away connects the two.
Stuff happening around us is caused by something like a parent, like an authority, like a sky father and earth mother. The father gives me brain stuff and the mother gives me food stuff. But then we’ll grow up and realize that something like the wind moves on its own, the moon comes up to replace the sun on its own, and the seasons change on their own. There’s something we can’t see that’s doing this, something beyond the sky and under the ground, and everywhere we can’t see, especially behind our eyeballs. There’s this strange image that appears behind my vision that is not of the world but of my mind, and I conjured it.
And if I didn’t conjure it, I had someone else put it in my head through a spell, in the form of words, which cast the symbol to occur in my mind. Writers in the pre-modernist age are spellcasters, wizards, that make sure something is explained about the mysterious and supernatural world that is beyond the stuff we see around us. This “rejection of the average” causes the pre-modernist writer to talk about stuff that are not only real, but hyper-real. It doesn’t speak about an individual and it’s not for an individual, because it’s attaching everyone under the same umbrella and form. This is why I find poor interpretations of mythology humorous but also rather useless.
People will look at something like Greek mythology where a god has a child with their sister and go “well, isn’t incest a bad thing?” Not only do they miss the point, but they forget that it's a god we’re talking about and it’s not a human. It’s not some biological thing standing in front of you. It’s the supernatural, it’s beyond something like biology. Or better yet when someone reads the bible and goes “why did Adam take a rib out to get a woman? Couldn’t God just make a woman without taking his rib?”
It’s like, you missed the point and you’re ignoring the importance of symbolism, and this symbolism grants all of the meaning that you’re missing from the bible. Yes, Eve is made from Adam, and yes, it takes a rib, because rib is a bone and bone is structure. A rib is near a heart, a protector of heart. Heart is courage, love, emotions, stuff that makes our blood pump. Blood is a humor based on air, and air is one of the 4 elements. The connection goes on and on and on, because this mythology is all connected together into one giant story that goes beyond the words stated in the story. Each tiny noun or verb means way more than it lets up to mean. I’ve been studying mythology for a while, and really trying to look into them before I say anything about them, and there is so much inner history with mythology that’s both present and reachable, but it’s practically endless with how everything connects.
And at the same time, all of this is essential, of a form, symbolic, and objective.
This relation to religion in pre-modernism causes the definition to be something like “the art form that depicts hyper-reality in an objective truth that involves the supernatural as a source of the natural and as the source of truth.
Stephen Hicks puts the politics of the pre-modernist as feudalism, but it’s more like monarchy, where you believe that there should be a king, because someone has a family line that was sacred enough to treat like one. In pre-modernism, we had ancestor worship in every culture, because your family line was important to keeping your existence relevant. This is because everything in the pre-modern age involved titles, which were granted by an authority, and many times this authority is a god or an ancestor.
Your title within your family is in relation to your family members and your last name determines your family’s title for others to recognize. If someone was a smith, they would get the last name smith, like say John the smith just becomes John Smith, and they will endow their established trade to their next of kin. So if the son of John Smith wants to make a living, he’s going to be a smith as well. There is this lineage and family business that is treated seriously, because if you step out of this title, you’ll have to create your own. People could do that by entering a trade or a guild, by learning from others, from gaining a title after being born a bastard, or whatever they could to get a title.
But the key factor is that title is important to the pre-modernist. What’s even more important is form, because this religious mentality creates the environment that perfection is possible. A metaphysical manifestation separate from the material world that is able to be aimed towards and sought after, even if unable to be reached. This was well portrayed in characters like Jesus, which Christianity dedicated itself to fulfill the traits of Jesus, due to Christianity being a religion where people follow the teachings of Jesus.
I would say that every religion had their own type of Jesus, the perfect form that someone or something has to uphold and look up to as inspiration.
Later on, alchemy came out of the prototype phase and started to connect all of these religions and symbols with each other to create more overarching symbolism that went for more core ideas. At this point, people could only argue against combinations and where something is in a hierarchy, rather than the validity of the claim of something like a single god or a creator. Sects of religions were made in order to determine different end goals, or different ideas in how a ritual should be done, or whether something like a church is important for worship, and these were the biggest sources of dispute possible.
You either followed God's will or you didn’t, and if you didn’t, you were a heathen. Heathens are sent to the bad place, believers go to the good place. We have a supernatural aspect of our body, beyond our body, beside our body, that went there for us, usually in the sense of a soul or spirit. The mind is an intermediary between the body and spirit that allows communication between the two at all times. This was usually depicted with gods like Psyche or Hermes or any other messenger god.
The gods would speak to us with omens and with us using clairvoyance. Any pattern in front of us or up in the stars could be used as a means to decipher a supernatural message. This message was easily able to repeat itself because there was an objective meaning to everything, which is why something like Zodiacs are constantly watched even to this day. Pre-modernist art retains this tradition of using mythology and symbolism to depict truths about the world. Romanticism was an attempt to return to this truth telling style during the modernist era, but Romanticism was absent of the religious aspect and was more of something like a neo-alchemical way of handing stories, where symbols were kept basic and for individual progress instead of a collective one.
A big part of pre-modernism is collectivism, especially the collective unconscious, which Jung coined later on when referring to his more pre-modernist analysis of psychology that heavily relied on alchemy and mythology. We used mythology to say something of value, with a universal or at least human level of objectivity, and the only way to miss the message is to deny that symbolism exists for them. Or at least, your level of symbolism in your interpretation would have to be so low resolution that it misses every point entirely and has zero context as to why mythology is important in the first place.
Mythology grants the idea that our world holds order, while the modernist idea is more about how the world is chaotic and we hold order to shape the world better. Fables grant the idea that particular personalities do particular things, while modernism declares that things change or can be grey and shows how. The black and white morality of the pre-modernist merged into grey once modernism kicked in, because there is the lack of theism under modernism.
We’re half way through the explanation and now we come to postmodernism.
Pre-modernism establishes that the supernatural causes order to cause truth, modernism changed that to say a secular natural world causes chaos to have us find truth. So what does postmodernist do to change all of that?
It rejects both and says both pre-modernism and modernism are wrong, and instead says everything that can be perceived is subjective and the objective is unknown to us. Stephen Hicks says in his video that postmodernists are really intelligent and well read into an abundance of stuff, and he’s impressed by that. I would have to disagree with him because it’s not like they read everything they did in order to understand it. They read everything and continue searching because they intend on claiming it’s not true, and use their personal interpretation to claim such. It’s very much like when a person studies mythology to then say “you know, the gods committing incest and magically transforming is really weird.”
Before I get deep into postmodernism, I would like to explain the concept of realism. Realism, in both philosophy and art, is to depict a thing as how it truthfully is. There is accuracy, there is something there that really exists, and it has attributes that causes it to really exist. Both modernism and pre-modernism have this as an axiom. Postmodernism on the other hand is ANTI-realism.
You cannot believe in something being “real” as a postmodernist because to claim something is real is to claim an objective truth, which a postmodernist is allergic to doing. They are unable to claim anything as true, because there is no proof for them to use, thus any statements they make must be an opinion and any statement they see must be perceived as an opinion as well. In all honesty, I have trouble finding postmodernists who go this far down the rabbit hole. All of them focus on subjectivity, but they’ll still try to tell others that things can be real in a colloquial way that lets them blend in with modernists. It’s hard to get people to follow you when you claim things aren’t real, so there is a form of deception and contradiction that occurs, but it’s also acceptable to the postmodernist.
This is because postmodernists don’t care about logic, and anything they want to claim as “true” is based on a social subjectivism that can also be considered an overton window that shows them what is acceptable to say and what isn’t. A lot of them try to push it, others try to blend in with it, with the intensity depending on how far they want to push their deconstructionism and reductionism. For example, phrases like “we’re all just stardust floating around” is a way for the postmodernist to seem deep with their reductionism, but it’s actually their way of saying they are nihilistic while trying to sound deep and poetic.
Stephen Hicks does have an amazing point in his presentation where he says truth no longer matters to the postmodernist and what does matter is power. That kind of concept comes from Nietzsche’s will to power (which is why Nietzsche is considered a proto-postmodernist, one who helped birth it into existence) and Marx’s historical materialism. The thought that human labor forms the material basis of society, and this idea being spread out into every 3rd world country(aka communist country during the cold war) means that a big chunk of the world is convinced of this concept of power through labor and power through capital that’s seen as “stolen labor” when it’s a bourgeoisie.
This leaning into Marxist terminology, thanks to communists and hippies, causes postmodernist politics to be considered leftist, and exclusively leftist. There is no way for a right wing postmodernist to even occur because the right winger believes in a truth through natural rights and there is no way to remove that aspect. This is why Stephen Hicks calls the postmodernist political and economic idea socialist, which what he really means is leftist. Although, socialist works a bit more for the political aspect since socialism is a wonky word that means whatever the socialist wants it to mean.
They think the worker owns the means of production and that some form of social relevancy should happen and the rest is dependent on what they want to advocate for. Not surprisingly, this socialist aspect quickly turned into syndicalism and later corporatism when relying on the government to enforce this social power upon the masses, also known as a cult of personality. The cult leader, or leaders, tell everyone that they have power, they tell everyone that they’re special, the people don’t question it because they think it’s a common opinion, and so the cult grows unrestrained. We see this at all times when people will both hold water for a politician for any little thing and also attack their opposition for any little thing, no matter how much of a double standard or fallacy they apply to their advocacy.
To the postmodernist, advocacy is labor geared towards power, with advocacy being the only thing you can do to socially stay relevant.
When it comes to postmodernist media, the key idea is exploitation, because the goal is to get as many views as possible and break as many boundaries as possible. Modernist rating systems are pushed and pushed constantly into exploitation to the point where new ratings are made and R rated material becomes the new norm. The grindhouse is a common place and is normalized, even though before these would be considered taboo, because the way the overton window moved more towards the left through their advocacy. The leftist postmodernist demands power as the social structure and so they demand power and are slowly granted it over time. But there is a bit of a weird thing that happens between how Hicks and I see postmodernism.
In his chart, he labels postmodernism as collectivist and egalitarian. I see this as a bit misleading since the leftist is not really for collectivism in the same way as a pre-modernist would claim we’re all connected. The postmodernist believes that we’re all connected in how we’re all trapped in our own subjective constructions, as if we’re all islands in this massive chain of islands and the water between us is the subjective separation.
For example, let’s say I look at a dog and another person looks at a dog. We both see the dog but the dog is one dog for me and another dog for them and there is this supposed infinite number of dogs who make up this single entity that takes up the space where the perceived dog resides. And not just an infinite number of dogs, but infinite number of things between what the dog is made of, with an infinite number of those for each smaller thing. I guess, to him, that’s collectivism, and the egalitarian thing comes from how leftist demand that people are to be treated equal, as well as all art to be treated equal.
Just like dada, which was a proto-postmodernist art movement, the postmodernist thinks that all art is equal, with the Mona Lisa holding the same aesthetic value as a turd on a pedestal. This allows the postmodernist to use juxtaposition to combine something of high regard with something of low regard, like say having classical music play during a moment where someone is being tortured in a grindhouse way. Or maybe another example is like how Tarantino combines low quality exploitation movies with high quality dialogue that people praise for its realism and tension. This is why surrealism became popular under postmodernism, because surrealism juxtaposes a high concept symbol with nonsensical low concept literal images or events.
Another aspect of postmodernism is the idea that art and real life has merged into a type of hyperreality that blurs the line where life and art meet. People record their lives online and turn that into media, thus turning even things like talking about people who are in media into a form of media itself(aka Hollywood gossip stuff and youtube drama).
Without much of a message or objective symbolism, a lot of postmodernist media focuses on playfulness, because messing with things is all that there’s left as a means of entertainment and media making. Personal interpretation as the only means of experiencing causes the postmodernist to aim for open interpretation work, using vague wording and dog whistles to hide intents that they believe a common audience wouldn’t like, but select circles would catch. And with this demand for social power came the rise of corporate media, where corporations crank out stuff with self made trends and control groups who guide the corporation towards more money, thus more power.
There is also a combination of media, usually in the form of merchandising, so that a form of media will still be advertised and thought about, even when not engaged with the media directly. For example, GI Joe started out as a toy for kids. Then it became a comic and a show for kids. Now it’s a movie series for kids. Transformers, He-Man, I think even Gundam. These things aim for sales first and then plan the story after, because it’s all one big marketing campaign. There’s nothing in these that try to say what is true, they simply try to say things that will have people think they agree with it, or at least can’t argue against it to where they disengage with the product that’s being sold.
This has caused postmodernist media to become both highly marketable but also highly forgettable. Things easily get outdated even if the tech level stays consistent because of intertextuality, which is the relationship one media has with another to grant the user of intertextuality with relevancy that can have the audience understand the reference. This is a fancy way of saying something like an inside joke or a typical reference like a meme that we see online. If you ever want to understand this one, just think of any Channel Awesome reviewer. They will try to make jokes that reference something in media, probably something they reviewed prior, in order to keep the dedicated fans in the circle of attention and make the new fans try to keep up with this intensifying requirement of knowing jargon.
Intertextuality can also be seen as a sort of specialized culture within a franchise or company or genre or just stuff that is similar, so that the people who are of the fandom can all enjoy speaking some special language with each other and keep out the people who don’t know about their niche idioms and references.
This combination of reality and media, along with removing objectivity from the equation, with high and low arts being combined through playfulness and for marketing, is why our media is the way it is today. It’s made like fast food, doesn’t offer anything for the brain to work with, and is actually more for our brains to turn off if anything. People like Ray Bradburry saw this issue with TV and determined it was going to turn us into Idiocracy, which he explored in his book Fahrenheit 451. People are indulged and distracted by the idiot tube, they stop questioning things, books start being called evil, the government enacts a war against books, all people have left are things that keep them dumb, and then they can’t even see a war that’s happening all around them and in their own backyard.
The benefit of postmodernism is that it can appear more creative and people get entertained. That’s about it. No more feeling like you need to tell the truth, now you can make a story about whatever. The only benefit quickly becomes the main problem with it: it’s a bad influence. Postmodernists can only deconstruct and so they’re never pleased.
We see this all the time with Channel Awesome reviewers where they will miss the point of everything in a movie, like say Last Action Hero, and even though Last Action Hero is a postmodernist deconstruction of action movies, the reviewer will scream and holler about how the movie can’t be taken seriously. Then when they are challenged on the integrity of their review, they will spin it around and say they were just being meta and knew it was satire all along, that nobody should take any review of theirs seriously or as their actual opinion.
Or better yet, a postmodernist fan will chime in and speak for the reviewer, like when I said Spoony’s review of Final Fantasy 8, yet another deconstruction work that people were conflicted on, was misguided and wrong. A bunch of fans came in and said “Well, that’s not his REAL opinion. He didn’t REALLY say what he wanted to during the months he spent working on that review.”
I guess the point of postmodernism is to NOT say what you mean. Because how can they? That would address there is an objective idea in their head of what they mean, and that can’t happen under postmodernism. So you’re left with this endless chain of people trying to make a satire or make fun of something that is already making fun of something and that thing is already not to be taken seriously, and… you get the picture.
But then, recently, a sort of organized idea sprouted out from postmodernism. This idea that everything is both power and subjective, while also being a social construct, coagulated into a unification of something under what is called intersectionality. In 1989, Kimberly Chrenshaw coined the term, which already was working off of ideas during postmodernism such as second wave feminism and critical race theory. Through the idea that extreme egalitarianism is the way, in a subjective way, these defenders of the marginalized demanded that media should cater to whoever they deem as marginalized.
This branch of postmodernism is known as woke.
For wokeness, there isn’t much of a history or even aesthetic choice to shift through, but there is an awful lot of jargon to explain so that people know what I’m talking about. So for the majority of the woke explanation, I will be explaining the special words used that the woke will both claim are super important to know, but will also refrain from defining because they want to keep it on the down low. They mostly want to do that because they know their reasoning doesn’t make any sense and because it’s self contradictory, but that’s okay for them because they are, by their own admittance, anti-logic and “there is no real wokeness”.
Actually, before I explain the jargon, I want to get into that “there is no such thing as woke” talking point they always do. This is the same thing as saying “I want everyone to do x and there is no x”. Or when they are less radical, they will say something like “Everyone should do x, but nobody has done x yet.” But recently it’s been more like “This thing in the media has always been x, which is why we need it to be more x”.
As you can see, the narrative is always changing and they are always telling people to do something. This is the opposite of postmodernism in how it’s authoritarian, but is part of postmodernism because of the subjective aspect, as well as the neo-dada form of anti-art. The “art” of woke art is meant to express representation, and this representation is supposed to be of a group, and this group is supposed to look a particular way, absent of any stereotypes, negative or positive, and absent of any grand narratives, pre-modernist or modernist.
Therefore, all we’re left with is… appropriation and exploitation of marginalized groups.
Something tells me they didn’t think this through. It’s almost as if their goal is to be the thing they claim to fight against, but they don’t want to be called racist or sexist or whatever phobic because they don’t want to lose social power. This enforcement of an ideology, an ideology that tries to equally exploit for money, is put under the acronym DEI: Diversity, equity, and inclusion. This is a profitable business to get into, because DEI is estimated to have corporations annually spend $17 billion on DEI programs and organizations by the year 2027. In 2003, it was estimated that corporations spent $8 billion. In 2022, that number was recorded at $9 billion.
What do these numbers mean? It means companies are wasting money on this and they’re losing money after enacting woke policies.
When we combine wokeness with the socialist/Marxist mentality of the postmodernist, we end up with a constant drain of capital on the end of the media maker. The one making the art LOSES MONEY when they go woke, which is why we say “go woke, go broke.” There is no intention on making money with wokeness. This is why governments added wokeness to what is called the ESG score, which is a score that governments use to subsidize companies that follow things like climate change advocacy, DEI, and following whatever regulations a country puts in like mask regulations.
Follow these things, get closer to the “leader” score, and you get more money from the government. This is why companies don’t care when they lose customers, because at the end of the day, they are kept afloat by tax dollars. Then the people in charge of these companies buy the lowered stock that was hit by a controversy, and they have it go back up between woke projects. This is why the CEO of a corporation loves woke backlash, as long as they can pretend they had nothing to do with the woke decision. This is why, for example, Budlight decided they had nothing to do with hiring Dylan Mulvaney AFTER the boycotts worked, instead of, you know, while hiring him to be a spokesperson for the beer on April Fools day of all days.
So the go broke part is for the company itself, while the people using wokeness for their benefit are grifting and taking short term gains. Same thing was for something like BLM, which is an organization that revealed the money donated for the purpose of helping black communities was instead used to buy the founders mansions. The idea that wokeness brings in the cash and it can be called “woke capitalism” is absurd due to the lack of longevity the concept has. This is like calling a stolen item that gets sold at a pawn shop “illegal capitalism”. It doesn’t mean much, and it’s just trying to tie capitalism in with something negative, which is hilarious since wokeness is meant for the left.
With that out of the way, I’m going to get into the jargon, which will allow us to see some of the “philosophy” behind woke. The first one is “critical theory” which is what everything under wokeness is based on to enact a policy. This is how they choose who is marginalized and who isn’t. The term critical race theory originated in the 1980s through discussions about laws because some people decided that equality was not enough. It’s not enough that you can treat a person as an equal, like how a liberal does, because somehow a person born in 1980 is influenced by their ancestry from 1480. Judith Butler helped popularize critical queer theory, which lost the critical part once that aspect was seen as bad, thanks to critical race theory.
They kept all of the critical theory roots, but they removed the word critical because they don’t want to appear… critical. This also happened when Lisa Tuttle popularized the current form of feminist theory, where they remove the critical part because of the stigma they know the word has. No matter what, deception and omission must be used to get their agenda through, because that’s all they know how to do. They cannot get power unless they deceive people into giving them their power. And I find that a little odd since critical theory is a Marxist theory that came from the Frankfurt School from a man named Max Horkheimer, way back in 1937.
Max’s idea was that the enlightenment was a mistake, making him anti-modernist, but the postmodernists of this school of thought will still insist that there is something modernist about critical theory. They claim it’s because Marx was objective because Marx thought something objective is whatever is practiced, yet nothing he claims that is practiced was ever true, so it’s sort of a strange way to misdirect people into thinking that his appeal to his own version of rationalism was somehow actual rationalism. In other words, it’s wordplay. But, we can still say something like his attachment to science being a key element of his ideology, with science trying to be used to determine the natural world, is sort of modernist.
And this is the first step into getting confused as to what anything is, which is why people need a clear explanation as to what something like a modernist is. A good way to explain if something is actually modernist is if you can ask a writer if they believe in marxism and objectivity. If they say no, then we can see that Marxism appeals to the postmodernist in a way that is by design, not by accident. This is why Jordan Peterson is forced to call actual Marxists “neo-Marxists” and “cultural marxists”, because of the constant wordplay that is used by the very same Marxists.
Now, I want to harp on Marxism due to the fact that every single critical theory that the woke adopted is a Marxist theory. Critical theory was based on Marxism and critical theory declared that cultural equality was required in order to prevent fascism. It determined that individuals are not the ones behind social problems, but instead these problems were caused by social structures and cultural bias. What are these problems and what are the solutions, you may ask?
Well, critical theory doesn’t have any of that covered. In fact, the goal was to NOT cover any of those and to just say “social problems are at the social level” and that’s it. Congratulations, theory complete. The social thing is about society and society is how individuals interact. So it’s not the individual’s fault, it’s how they act with each other that’s the problem. So the theory is saying we need to change our act in order to solve the problems, and this was followed by the feminists who say we need to help the women get up in life. This was followed by the CRTists who said we need to help certain races get up in life. This was followed by the Queer Theorists who said we need to help the LGBT get up in life. There is the body positivity, the handicapped, the “don’t slut shame me" movement, and the list goes on and on.
Now we’re in a world where all of these things are in our media and forced into our media because somehow critical theory is the new normal, but you’re not allowed to say it’s forced. If you say it’s forced, some people might reject it and then the enforcers lose power, so they will always say “this is how media always was”. This is how we now have people claiming that ancient civilizations were pro-trans and pro-gay, even though they weren’t and I thought the entire point in CHANGING society is because these social problems are ingrained into society?
This is how the woke say one thing and then mean another. They want the power, but claim the power is given to someone else, while they take the power for themselves. Something like gender is told to be super important and something even worth committing suicide over, but then the lady who made up queer theory says that gender is performative, meaning that it doesn’t matter. Feminism is told to be super important because this is how we can help women become equal, and then we’re told by the person who made current feminist theory that “you’re not born a woman, you become one, even if you were born a male.”
This “equality of power” that the critical theorists said they wanted quickly turned into an “equality of babbling”. Nothing under wokeness makes any sense, and neither does the origin of the term woke. It is meant to mean a person is awake, that they were sleepwalking through life and now they are aware that bad things are happening in society. What are these bad things? Well, whatever you can make up and convince others is bad, since it’s all subjective. If someone steals a VCR and they are black, you can say the police who arrested the thief are evil because they are oppressing a desperate black man who “wouldn’t have stolen if society just treated him better.”
Of course, this implies that rapists only rape because they weren’t treated well enough by society, but only of that rapist is a particular skin color. The woke quickly tie the “need to rape” with skin color, and then call others racists. Actually, now that I’m on the race topic, let’s lay out CRT and how they view race from their supposed “law related origins”.
CRT determines that race doesn’t actually exist, that white people created race to then create racism. I’ll say that again to make sure if you caught that. CRT, a belief about how race works, claims that race doesn’t exist. But then it blames a particular race because… it’s not racist. Did I mention that this belief is anti-evidence and anti-reason? Yes, they do not want reason or evidence to be used for laws, because these things are biased. Instead they want storytelling from the marginalized person, who is called black, even though they don’t believe black as a race exists. This storytelling can be something like “I was walking down the street and I saw a police officer and I felt fear. I should not feel fear. That means the police officer is racist because I’m black and they made me fear.”
To make it even worse, they determine that color blindness from laws causes racist laws to form, because discrimination can occur from certain laws like murder rates, drug use, and theft. Something like being on time to work is considered racist, because a clock is a construction by white people to keep black people down. There’s always something designed by the white man to “keep black people down” because they believe white people only have power because they can keep others down. This is why they advocate to pull all of the non-whites up by forcing white people to hire non-white people into roles in movies or something like a job or using affirmative action to force black people into college classes by reducing their requirements.
Apparently, when you go to the military, the goal is not to have a good soldier but to allow more women to get in by reducing the standard for them. The goal of getting black people into college is to reduce the requirements for them so that they can get in, while increasing the requirements for Asians because there are too many Asians in college. But if we look at media, and only the US media, we can see there is a lack of Asians, so Asians are forced into film sets. Yes, there are plenty of Asians in, you know, Asian countries, soaking up all of the film time, but they don’t count.
In fact, they don’t count because white people don’t watch them as much, so now we have to have an enforcement of Asians being translated into English for western audiences to indulge in Asian culture, which is why Netflix transfers money from the west to the east and tries to get a bunch of Korean, Chinese, Japanese, and Thai content out. A lot of this Asian content is also LGBT, because even though these Asian countries don’t care for such content, the west must believe that the east is super open about it. There will be something like a comedy about a pregnant male that comes from Korea, and the west will take that and say it’s empowering because it fights against gender norms.
Meanwhile, the story is just a postmodernist joke about how it would be funny if men felt pregnancy pain. And it’s because there was a postmodernist comedy called Junior which had the joke “wouldn’t it be funny if a big buff Austrian dude was pregnant?”
My point is that wokeness is just appropriation, through and through. If it’s ancient bigotry, they will say it’s woke. If it’s modernist liberalism, they’ll say it’s woke. If it’s postmodernism making fun of wokeness, they’ll say it’s woke. No matter what, they will spin something to call it woke, just so that they can say liberalism is evil and equality is evil. Their goal is to have an equal outcome, which is their excuse to give certain groups more money and fame, all while ignoring merit. The very idea of rejecting merit as a qualifier is the reason woke media is designed to lose money, and is also a way to tie woke to postmodernism.
I think this is enough explanation of the jargon for now. Not sure if I missed anything, but I think enough of a point is made on that part to have anyone understand how wokeness works. The metaphysics is the same as postmodernist, it’s all subjective. The epistemology is through lived experience because of the storytelling that’s deemed as superior to reason. The ethics is social justice, because they demand equity, aka equal outcome. The politics are marxist, meaning their goal is to remove capitalism because capitalism is an evil product of liberalism. And finally the aesthetic is what I would call anti-art.
I guess I might be able to explain the aesthetics, but it’s rather loose. The problem is that art to the woke is just propaganda. The don’t really give a story or plot with woke media, instead they just take something generic and roll with it, assuming they even give it a plot. For example, there is a woke comic from Marvel(since every comic from them is woke now) where a superhero gets stopped by a cop for being native american. This female, possibly lesbian, native american uses her powers to have the cop realize he’s racist by mind controlling him into thinking he’s racist.
Work with me here…
So the cop is at his house later and decides that he can’t live with himself as a racist person, so he shoots himself in the head. The native american woman watches him from afar and goes “my work here is done” and considers herself a hero for the day. Comic book issue over. So the plot of that story was “super hero uses powers to make a random cop kill himself because racism.”
There is nothing in the story we can call true, nothing we can call interesting, nothing can be called entertaining, nothing can be called useful, nothing can be called anything other than utterly pointless. But the point was to say “racism exists. Stay woke.” That’s the message. That’s the reason an artist spent a month working on a comic and that’s why a company invested money into it to sell it to people who decided to pay money for it and read it. I have no idea who paid money to read that, but I can safely say it wasn’t that many people.
The goal is not to have people buy the product, it’s to simply say the product exists and point to it and go “see, a company put money into that group.” This is kind of like an updated version of “everyone gets a trophy” but instead of everyone, it’s the non-whites, non-cis, non-straights, and non-males. And instead of a trophy you get a product people don’t want to buy.
This is why I consider any answer as woke in my test as an indication of a person being woke. You really do need to jump through a bunch of hurdles to get stuck into this kind of mentality and the only question that people got woke was the one where lived experience is the answer. I think a better term might be anecdotal evidence, because like I said, the woke will reject reason and evidence and instead focus on storytelling, with storytelling here meaning you’re saying what you thought happened through your subjective opinion, and this can be anything you want it to be.
Hell, I can say something like “I felt like a unicorn” and that is considered a lived experience, because somehow I know what a unicorn feels like and somehow you now need to believe I did. So maybe anecdotal is the proper term to use, but then the woke will avoid that one since they know it looks like a fallacy and they can’t socially bring themselves to be stigmatized like that when they think it’s not acceptable. So it’s one of those things where I can either have one wording that causes a false positive or the other wording that will cause a false negative. But, then again, if someone is woke already, they would fail other questions anyway, so maybe I can put that one as not really important to worry about.
So there you have it, definitions and grave detail into all 4 types. I’m sure someone will conjure up more questions and I’m sure a postmodernist will say I’m wrong about everything, but at that point, I did my part so it’s not my problem.
Onto the next section that follows the next question: How do you justify reducing things to something like woke?
Reductionism is when you take something that is complex, like a story, and reduce it to particular fundamentals to provide a sufficient explanation. This is something like when a story gets reduced to a genre when you label it with a genre, because the genre is fundamental. This can also be something like calling yourself a Christian when you believe in the teachings of Christ. Sure, you have other qualities about yourself, but this can be an explanation into something that explains very quickly because it broadens the scope. But the question is HOW do I do this with something like woke, or modernism.
Simple: you look at the definition and go “ah, I see, that’s what it’s doing.”
Pre-modernism and modernism are objective, postmodernism and woke are subjective. Already these two groups are split by a single key factor. I can instantly say woke is a terrible storytelling way of thinking because the goal is to treat merit and superior quality as oppressive, so there is no possible way of making a good story that’s woke. It’s, by design, unable to be good. If we take postmodernism, we can say that it instantly rejects telling the truth, so it must make something up with exploitation and it’s going to be like fast food for the brain. It is, by design, unable to stand the test of time.
But then if we take something like modernism, we can see a truth is there, even if it tries to be individual, because then a guide based on personalities can be seen, and a way might be unlocked. This is why a modernist story is considered classic, and we look up to it as inspiration. Pre-modernism is as primitive and societally significant as you can get, to the point where it’s part of history books as a mythology. We base entire cultures around this type of media and we follow through with our daily life by using this type of media as a guide. In fact, pre-modernism is found IN postmodernism by accident when a postmodernist tries to appropriate, which is why we can find something like alchemy and Gnosticism in a postmodernist movie like The Matrix. There are modernist concepts like The Rabbit Hole in The Matrix, despite The Matrix trying to subvert it and reject it.
So like a genre, the direction of your modernist variant is reliant on both intention and focus, rather than if something is there. I can have a cockroach crawl into my cake when I’m baking it, that doesn’t mean cockroach is part of the recipe. So the goal of the test is to see what kind of recipe people are following and we can determine what kind of cook they are in how they view recipes. There is no danger of reductionism because reductionism is used to prevent dangers. In fact, in the most ironic way possible, to claim reductionism is dangerous here is to use dangerous reductionism to make such a claim, because it reduces the entire process to the idea of dangerous.
Now for the last question: How do you prevent people from rejecting pre-modernism?
Page has determined that if you claim form = function = truth, then you have caused pre-modernism to be the same as woke. As I’ve explained, they aren’t the same thing. Yes both are based on religions, with wokeness being based on Gnosticism, which is to self worship and deem yourself as the true god that is imprisoned in your body by the demiurge, but that isn’t the same thing as “telling an actual truth”.
Gnosticism is sophistry mixed with satanism. I always forget the term and can never find it, but it’s the belief that you’re alone and you’re talking to yourself even when you talk to others. This is how people get trapped in an echo chamber, because all the can do is hear themselves talk and tackle their own ideas of what could be wrong, which requires them accepting they could be wrong, and if they don’t accept that possibility, then everything goes in one ear and out the other. They start to follow a script, become an NPC, and all they can do is become violent once the script runs dry.
Can the pre-modernist become the same thing? Absolutely not. The benefit of a pre-modernist is that we don’t believe we rule the world. We understand that the world is in control, the supernatural controls the world, and we are below all of that as measly humans. We are the cameraman, not the director. Better yet, we are the audience watching a live feed with a cameraman controlling what we get to see, and we’re not involved in any of the production. This acceptance of humility allows the pre-modernist to seek truth, which is how a mythology is born in the first place. The only valid criticism is that the subjects become so grand and universal that they are basic and unable to really tackle the more personal and social issues that modernism tackles.
This basic and broadness is what Page considered “unentertaining”. But during a later exchange, during the making of this response, I found something fascinating. Page’s definition of entertaining is contradictory, because she believes it is objective in the fact that entertainment exists, but WHAT WE SEE as entertaining is subjective. So the complaint that something could be unentertaining isn’t valid, because it doesn’t mean anything if it’s subjective. It’s like saying a traditional dish doesn’t taste good and that’s why that traditional dish is bad to limit people to it.
Well, what if every good dish becomes traditional because people see it as tasty? I am not limited to my own personal tradition, I can enjoy another person’s tradition. I can eat sushi as a German who loves bratwurst and sauerkraut. I can eat pad thai and I can eat sweet and sour pork. I can eat baba ghanoush and shepherd’s pie.
Do you know why I can eat these? Because they are all food that is made of nutrients that people ate since the dawn of time. My human body needs stuff that humans eat for nutrients and there is a select number of nutrients that I need per day because it’s the stuff my body uses. Same goes for storytelling and the specific things my brain will use to gain wisdom and intelligence. The pre-modernist believes that there are these end points that we can address and say “this is the form, this is the end point, can’t go past that.”
The modernist claims “this is scientifically why we can’t go past a certain point, but we might get more information later that will allow us to pass that point.”
Then the postmodernist says “that point is a made up line, the limitation is made up, and the idea you’re in a particular position is also made up, so just mess with things and call them different things.”
Then the woke say “That point doesn’t exist but it’s oppressing me.”
As you can see, the pre-modernist is the most coherent because it’s the most accepting of how things are. I think what Page misunderstood is that some people think a form is what humans determine the form to be, and the form is left as that. Wrong. Form is to reach an endpoint and we cannot physically reach this endpoint, meaning the form will only be in our mental state through symbolism when we’re trying to think of such. Thus, symbolism is the key factor, and all you have to do is make the symbol more clear.
What really struck me as odd is that Page also declared the Bible as entertaining, meaning a pre-modernist work is the prime example of entertaining while her rejection of pre-modernism is because it is not entertaining. I cannot make any sense of that contradiction other than maybe Page believing that media being full of lies is entertainment and that’s not allowed under pre-modernism, which doesn’t mean anything to me.
That’s like going “well, your philosophy doesn’t allow contradictions and uses only logic, so it’s not a good philosophy.”
At that point, we simply have to call such a person postmodernist, because only a postmodernist would demand such a thing.
What am I going to do now that the test was tested? Well, I am sure I am going to make 5 sets of 4 questions for sure, with the 2 overarching questions added in the beginning and end. I will also try to use that google forms thing so that it can be a real test. When I get a website up for my company, I will have the test as part of the entrance exam to join the club. Pre-modernists are preferred, modernists are welcomed, postmodernists are tolerated, and woke are excluded. Sorry, we don’t allow such hateful people into the club. We like to work with normal functional people, and the woke do not meet either requirement.
And I know it doesn’t seem like it, but I am working on the test to have writers see what they KNOW about writing. That one is going to be a bit harder to put together, since I was thinking of getting written answers rather than multiple choice. I think the hardest part with that one will be figuring out how to work in creativity, since that one is tricky to sense if it’s intentional or accidental. But, like always, if I need help, I’ll ask.
Till next time.
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2023.06.10 11:39 rkozik89 Dad's Imputed Results
2023.06.10 11:07 FrostyBlueberryFox why do cims go to a festival if they hate the artist? are they stupid?
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